Getting away with it

dc.contributor.upauthorTaub, Myer
dc.date.accessioned2012-10-05T14:21:18Z
dc.date.available2012-10-05T14:21:18Z
dc.date.issued2011
dc.description.abstractThis paper applies an appropriation of leveling, as a performance / performance art construct, in order to contribute to the dialogue between art and authority in the post-apartheid city of Johannesburg.en_US
dc.description.abstractHierdie dokument/vraestel pas ‘n betrokke aanwending van gelykmaking toe - in die vorm van ‘n optrede/ ‘n ‘vertonings kuns’ konstruksie, om sodoende by te dra tot die dialoog tussen kuns en outoriteit in die na-Apartheids stad van Johannesburgaf
dc.description.librarianai2013en
dc.format.extent15 pagesen_US
dc.format.mediumPDFen_US
dc.identifier.citationTaub, M 2011, 'Getting away with it', South African Journal of Art History, vol. 26, no. 1, pp. 126-140. [http://www.journals.co.za/ej/ejour_sajah.html]en_US
dc.identifier.issn0258-3542
dc.identifier.urihttp://hdl.handle.net/2263/20060
dc.language.isoenen_US
dc.publisherArt Historical Work Group of South Africaen_US
dc.rightsArt Historical Work Group of South Africaen_US
dc.subjectArten_US
dc.subjectSocial interventionen_US
dc.subjectConstitutional lawen_US
dc.subjectMunicipal lawen_US
dc.subjectJohannesburgen_US
dc.subject.lcshFreedom and art -- South Africa -- Johannesburgen
dc.subject.lcshLaw and art -- South Africa -- Johannesburgen
dc.subject.lcshArt -- Censorship -- South Africa -- Johannesburgen
dc.subject.lcshPerformance art -- South Africa -- Johannesburgen
dc.subject.lcshSocial isolation -- South Africa -- Johannesburgen
dc.titleGetting away with iten_US
dc.typeArticleen_US

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