Notes on how to win (the L'Atelier) and still be free
| dc.contributor.author | Swanepoel, Pieter | |
| dc.date.accessioned | 2011-03-25T12:09:53Z | |
| dc.date.available | 2011-03-25T12:09:53Z | |
| dc.date.issued | 2010 | |
| dc.description.abstract | Perhaps we have become comfortably numb ever since Barthes' (1977:146) distressing yet emancipating signal that all texts function on multidimensional levels at once, to disclose divergent and clashing opinions rather than a singular foregone conclusion professed by a godly author. Still, one would think that competitions (particularly as texts indicative of an apogee) would, within a traditional understanding of what the word 'competition' stands for, remain an exception to the rule. | en_US |
| dc.identifier.citation | Swanepoel, P 2010, 'Notes on how to win (the L'Atelier) and still be free', De Arte, no. 82, pp. 72-75. [http://journals.sabinet.co.za/ej/ejour_dearte.html] | en_US |
| dc.identifier.issn | 0004-3389 | |
| dc.identifier.uri | http://hdl.handle.net/2263/16122 | |
| dc.language.iso | en | en_US |
| dc.publisher | Unisa Press | en_US |
| dc.rights | © University of South Africa Press | en_US |
| dc.subject | L'Atelier | en_US |
| dc.subject.lcsh | Absa L'Atelier competition -- South Africa | en |
| dc.subject.lcsh | Art -- Reviews -- South Africa | en |
| dc.title | Notes on how to win (the L'Atelier) and still be free | en_US |
| dc.type | Article | en_US |