Chapter 6 : The typographic sensorium : a cross-modal reading of letterforms

dc.contributor.authorRath, Kyle A.
dc.date.accessioned2023-10-20T07:05:19Z
dc.date.available2023-10-20T07:05:19Z
dc.date.issued2022
dc.description.abstractAnyone living in a post-industrial society consumes and interacts with typography daily, albeit often unconsciously. For many of us, typography primarily is a linguistic or lexical tool; a vehicle by which we can express the content of language – ‘a carrier of words’. Be it on signage, billboards, packaging, a website or digital interface, wayfinding systems or as ink marks on the pages of a book or Kindle, we often gauge the usefulness of a typeface3 in terms of the degree to which it makes written content legible.en_US
dc.description.departmentVisual Artsen_US
dc.description.librarianhj2023en_US
dc.description.urihttps://www.pulp.up.ac.za/edited-collections/embodiment-and-the-arts-views-from-south-africaen_US
dc.identifier.citationRath, K.A. 2022, 'Chapter 6 : The typographic sensorium : a cross-modal reading of letterforms', In: Embodiment and the Arts: Views from South Africa Edited by Jenni Lauwrens, pp. 121-151.en_US
dc.identifier.isbn978-1-7764117-1-9
dc.identifier.urihttp://hdl.handle.net/2263/93008
dc.language.isoenen_US
dc.publisherPretoria University Law Pressen_US
dc.rights© The Editor 2022. This work is licensed under a Creative Commons Attribution 4.0 International License.en_US
dc.subjectTypographyen_US
dc.subjectLetterformsen_US
dc.titleChapter 6 : The typographic sensorium : a cross-modal reading of letterformsen_US
dc.typeBook chapteren_US

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