Novel : Holo Meta Bolus and Mini-dissertation : “Sal jy my verstaan?” : The representation of post-apartheid Afrikaner repudiation in Fokofpolisiekar lyrics.

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dc.contributor.advisor Medalie, David
dc.contributor.postgraduate Cruywagen, Ruben
dc.date.accessioned 2022-02-28T08:18:08Z
dc.date.available 2022-02-28T08:18:08Z
dc.date.created 2022-04-25
dc.date.issued 2021
dc.description Dissertation (MA (Creative Writing))--University of Pretoria, 2021. en_ZA
dc.description.abstract Holo Meta Bolus is a coming-of-age novel where the theme of identity is explored in many different aspects. The protagonist, a post-apartheid 19-year-old, rejects the cultural identity of Boer (i.e. traditional Calvinistic Afrikaner), which he was born into, and adopts several stereotypical identities he encounters in the city of Pretoria, namely “jock”, “skater” and “hippie”. He also struggles with the identity-related questions of his social status, as well as what it means to be an adult. The theme of post-apartheid Afrikaner repudiation is further explored in the mini-dissertation, which analyses the lyrics of punk band Fokofpolisiekar using psychoanalyst Erik Erikson’s theoretical framework of identity crisis and repudiation. Fokofpolisiekar is a music group that formed in 2003, which sparked much debate with their controversial lyrics that outright reject and criticise the traditional Afrikaner culture that they were born into. Erikson’s theoretical framework presents eight stages of psychosocial development of a healthy individual from infancy to late adulthood. According to this framework, the fifth stage is adolescence, and the successful completion of this stage results in the adaptive strength of fidelity, while individuals unsuccessful in this stage suffer from the malignancy of repudiation. The dissertation argues that the speaker in Fokofpolisiekar’s early lyrics has developed Erikson’s so called developmental malignancy of repudiation, and links this to the socio-political circumstances of the band members’ upbringing. Another argument is that later lyrics (2017 onwards) indicate that the same speaker eventually overcomes this repudiation and gains Erikson’s developmental virtue of fidelity. en_ZA
dc.description.availability Unrestricted en_ZA
dc.description.degree Master of Arts in Creative Writing en_ZA
dc.description.department Unit for Creative Writing en_ZA
dc.identifier.citation * en_ZA
dc.identifier.other A2022 en_ZA
dc.identifier.uri http://hdl.handle.net/2263/84253
dc.language.iso en en_ZA
dc.publisher University of Pretoria
dc.rights © 2022 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
dc.subject Creative Writing en_ZA
dc.subject Coming-of-age novel en_ZA
dc.subject Identity en_ZA
dc.subject Fokofpolisiekar en_ZA
dc.subject Erik Erikson en_ZA
dc.subject Post-apartheid Afrikaner en_ZA
dc.subject UCTD
dc.title Novel : Holo Meta Bolus and Mini-dissertation : “Sal jy my verstaan?” : The representation of post-apartheid Afrikaner repudiation in Fokofpolisiekar lyrics. en_ZA
dc.type Dissertation en_ZA


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