Abstract:
The dire socio-political and economic landscape in Zimbabwe has forced many Zimbabweans, young and old, to relocate to various and different diasporic locations. When these diaspora-based Zimbabweans “visit” or literarly represent their rural villages, disparate spatial metaphors emerge. Writing from Johannesburg, Bongani Sibanda ambivalently locates and dislocates his characters from the literary places and space he creates for them. Drawing on various utopian spatial theoretical perspectives, this article examines the significance of Sibanda’s creative overlay of his spatial ambivalence to his rural Matabeleland home on the relationship(s) his characters have with their spaces, creating a utopian landscape. This article argues that the characters’ (and by extension Sibanda’s) dislocation and breaking away from the traditional life and places that he creates for them, instigate a dystopian longing for a new life, one that is a conglomeration of history and time. Using three short stories by Sibanda (Grace, The Service, and Death by a Cell Phone), this article explores this dislocation, metaphorical and real, highlighting the plight of young people from Matabeleland who are either caught up in this utopian world or long to escape to a dystopian modern world.
