Malombo Musical Art in VhaVenda Indigenous Healing Practices

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dc.contributor.advisor Nzewi, Meki
dc.contributor.postgraduate Davhula, Mudzunga Junniah
dc.date.accessioned 2018-03-29T09:24:07Z
dc.date.available 2018-03-29T09:24:07Z
dc.date.created 2016
dc.date.issued 2016
dc.description Thesis (DMus)--University of Pretoria, 2017. en_ZA
dc.description.abstract The traditional healing practices of the Vhavenda people include one very important component, the malombo ritual healing practice. This healing practice has been conducted for centuries. It involves the use of music (including singing and the use of drums and shakers for rhythm), dance and elements of theatre performed by the person to be healed, the healer, invited malombe (community members who have been through the same ritual), as well as family members and supporters. The importance of this ritual as a healing process has long been acknowledged. Of interest in this study, however, is the role-played by the music itself in facilitating the healing process. The ritual cannot take place without the music; neither is the music used outside this specific ritual. Seven representative malombo songs have been partially notated by John Blacking and N. J. van Warmelo also as recorded texts. However, since this ritual is closed and seldom open to strangers, their research was, of necessity, limited. Through long-term fieldwork, and from an insider perspective, this thesis is based on participation in more than fifteen malombo rituals during the field research period (2005-2014). Songs and performances were recorded as possible and some are included on the accompanying CD. In addition, transcription was utilized as a tool to demonstrate the core melody of selected songs, with the acknowledgement that transcription in Western notation limits the demonstration of the creative mato1 process that is fundamental to the malombo ritual. This thesis argues that that music plays a vital role in this healing ceremony, and it is through the mato process that the ancestors are called to heal. The texts of the songs at times include words of the Tshikalanga language that is spoken by the Vhakalanga of Zimbabwe. Most significantly, music is seen as the bridge between the ancestral spirits and the patient and participants in the ceremony, thus underscoring its fundamental importance in Vhavenda culture. en_ZA
dc.description.availability Unrestricted en_ZA
dc.description.degree DMus en_ZA
dc.description.department Music en_ZA
dc.description.sponsorship SAMRO en_ZA
dc.identifier.citation Davhula, MJ 2016, Malombo Musical Art in VhaVenda Indigenous Healing Practices, DMus Thesis, University of Pretoria, Pretoria, viewed yymmdd <http://hdl.handle.net/2263/64353> en_ZA
dc.identifier.other A2016 en_ZA
dc.identifier.uri http://hdl.handle.net/2263/64353
dc.language.iso en en_ZA
dc.publisher University of Pretoria
dc.rights © 2018 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
dc.subject Spirit possession en_ZA
dc.subject Malombo music en_ZA
dc.subject Indigenous musical arts practices en_ZA
dc.subject African religion en_ZA
dc.subject Vhavenda music en_ZA
dc.subject UCTD en_ZA
dc.subject Healing
dc.subject Possession
dc.subject Trance
dc.subject Healing songs
dc.subject Music of healing ceremonies
dc.subject Mato processes
dc.subject Indigenous African music
dc.subject Ethnomusicology
dc.subject Ritual
dc.subject Ceremony
dc.subject.other Music theses SDG-03
dc.subject.other SDG-03: Good health and well-being
dc.subject.other Music theses SDG-04
dc.subject.other SDG-04: Quality education
dc.subject.other Music theses SDG-10
dc.subject.other SDG-10: Reduced inequalities
dc.subject.other Music theses SDG-11
dc.subject.other SDG-11: Sustainable cities and communities
dc.title Malombo Musical Art in VhaVenda Indigenous Healing Practices en_ZA
dc.type Thesis en_ZA


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