Musical iconography of the seventeenth and eighteenth centuries of the Netherlands and France, and its significance for the Cape of Good Hope
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| dc.contributor.advisor | Pretorius, J.C. | |
| dc.contributor.postgraduate | Joubert, Jeanne | |
| dc.date.accessioned | 2017-03-09T06:08:32Z | |
| dc.date.available | 2017-03-09T06:08:32Z | |
| dc.date.created | 1982 | |
| dc.date.issued | 1982 | |
| dc.description | Diploma (Arts)--University of Pretoria, 1982. | en_ZA |
| dc.description.abstract | The aim of this study is to examine musical life in the seventeenth and eighteenth centuries as depicted by pictorial art. I shall attempt to pick up the thread in the Netherlands and France, and then to trace its influence on the contemporary society at the Cape. I shall concentrate on the Netherlands and France because they were two countries which greatly influenced the new community at the Cape. | en_ZA |
| dc.description.availability | Unrestricted | en_ZA |
| dc.description.degree | Dipl. Arts | en_ZA |
| dc.description.department | Visual Arts | en_ZA |
| dc.identifier.citation | Joubert, J 1982, Musical iconography of the seventeenth and eighteenth centuries of the Netherlands and France, and its significance for the Cape of Good Hope, Dipl. Arts Dissertation, University of Pretoria, Pretoria, viewed yymmdd <http://hdl.handle.net/2263/59333> | en_ZA |
| dc.identifier.uri | http://hdl.handle.net/2263/59333 | |
| dc.language.iso | en | en_ZA |
| dc.publisher | University of Pretoria | en_ZA |
| dc.rights | © 2017 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. | en_ZA |
| dc.subject | UCTD | en_ZA |
| dc.title | Musical iconography of the seventeenth and eighteenth centuries of the Netherlands and France, and its significance for the Cape of Good Hope | en_ZA |
| dc.type | Dissertation | en_ZA |
