This article analyses the role of ‘race’ in Antjie Krog’s non-fiction trilogy Country of My Skull (1998), A Change of Tongue (2003) and Begging to Be Black (2009). It explores her explicit use of terms such as ‘heart of whiteness’ and ‘heart of blackness’. Claims that Krog essentialises Africa and ‘black’ people are investigated. The article also addresses accusations of racism in Krog’s work. A partial answer to the persistent question of why Krog is so determinedly focused on ‘race’ is sought in the concept of complicity. There is definite specificity in the way Krog writes about ‘white’ perpetrators and ‘black’ victims in South Africa, but her trilogy should be read within the broader context of international restitution discourses, allowing for a somewhat different perspective on her contribution to the discussion of the issue of whether ‘white’ people belong in (South) Africa.
Hierdie artikel ontleed die rol van ‘ras’ in Antjie Krog se nie-fiksie trilogie Country of My
Skull (1998), A Change of Tongue (2003) en Begging to Be Black (2009). Haar uitdruklike gebruik
van terme soos ‘heart of whiteness’ en ‘heart of blackness’ word verken, tesame met aantygings
van essensialisering van Afrika en ‘swart’ mense. Ook aantygings van rassisme teen Krog se
werk word ondersoek. Die herhaaldelike vraag waarom Krog so vasbeslote gefokus bly op
‘ras’ word gedeeltelik beantwoord deur die begrip medepligtigheid te betrek. Krog skryf met
onmiskenbare spesifisiteit oor ‘wit’ daders en ‘swart’ slagoffers in Suid-Afrika, maar haar
trilogie moet binne die breër konteks van internasionale diskoerse oor restitusie gelees word.
Dit plaas Krog se bydrae tot die debat oor die vraag of ‘wit’ mense tot (Suid-)Afrika kan
behoort in ’n ietwat ander perspektief.
