Abstract:
This article gives an account of the nature and content of my
religious poems that form a large part of my poetry. Looking back upon my substantial
oeuvre, I realise that it was as a woman that I gave expression to the human condition and to
my experience of religion. As a woman poet I identified with the first acknowledged Afrikaans
woman poet, Elisabeth Eybers. Although a specific female tradition was never identified in
the Afrikaans literary criticism, the Afrikaans woman poet writes from within a patriarchal
society of which the Bible and Christian doctrine form the basis. This corresponds with the
situation of the English and American woman poet. Feministic American literary critics have
reflected in depth on the woman poet’s dilemma, and have shown that the woman poet’s
struggle to find her own identity is not against the strong male or female poets who preceded
her, but against the inhibiting voices that live within herself. At deepest it amounts to a
conflict between fulfilling her traditional female role as prescribed to her by the patriarchy,
and fulfilling her vocation as poet – a theme in both Eybers’s and my work. Because of the
different courses of our lives, the female identities expressed respectively in our work differ:
Eybers’s identity is that of woman and mother, and later unattached immigrant, while mine is
that of an unmarried career woman. In this article I concentrate on the way in which we give
expression to our female identities in our poetry as influenced by the traditional Christian
belief system in which we were brought up. I give a comprehensive account of the influence
of characteristic scriptural language on Eybers’s and my own use of words, and I discuss our
poems on biblical figures in detail.
