dc.contributor.author |
Lauwrens, Jennifer
|
|
dc.date.accessioned |
2013-09-17T09:34:41Z |
|
dc.date.available |
2013-09-17T09:34:41Z |
|
dc.date.issued |
2012-12 |
|
dc.description.abstract |
‘Fine artists, and those given to enjoyment and criticism of visual arts ... are seen as exponents of the trained eye. They ... pretend to know how to look, and how to draw the highest semiological and visual satisfaction from that looking. Their total dependency on sight has almost entirely negated the senses of touch, hearing, taste and smell in an artwork’. |
en_US |
dc.description.librarian |
am2013 |
en_US |
dc.description.librarian |
gv2013 |
|
dc.description.uri |
http://www.margaretmoore.com/installations.aspx |
en_US |
dc.identifier.citation |
Lauwrens, J 2012, 'Welcome to the revolution : the sensory turn and art history', Journal of Art Historiography, no. 7, pp. 1-17. |
en_US |
dc.identifier.issn |
2042-4752 |
|
dc.identifier.uri |
http://hdl.handle.net/2263/31737 |
|
dc.language.iso |
en |
en_US |
dc.publisher |
University of Birmingham |
en_US |
dc.rights |
University of Birmingham |
en_US |
dc.subject |
Sensory turn |
en_US |
dc.subject |
Art history |
en_US |
dc.subject.lcsh |
Art -- History |
en |
dc.title |
Welcome to the revolution : the sensory turn and art history |
en_US |
dc.type |
Article |
en_US |