Ideology and myth in South African television : a critical analysis of SABC channel brand identities

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dc.contributor.advisor Van Eeden, Jeanne en
dc.contributor.postgraduate Botha, Woudri en
dc.date.accessioned 2013-09-07T08:11:00Z
dc.date.available 2011-10-21 en
dc.date.available 2013-09-07T08:11:00Z
dc.date.created 2011-04-22 en
dc.date.issued 2010 en
dc.date.submitted 2011-07-29 en
dc.description Dissertation (MA)--University of Pretoria, 2010. en
dc.description.abstract This dissertation investigates the brand identities of the South African Broadcasting Corporation television channels SABC1, SABC2 and SABC3 during the first decade of the 2000s (from 2000 to 2009). The study explores the manifestation and dissemination of dominant political ideologies and myths by the SABC television channels and their respective brand identities. It is argued that SABC television channels are structured and organised according to specific brand ideologies that match dominant political ideologies prevalent in South Africa. This is evident from the manner in which these channels have been organised, defined and redefined over the past years, and also from the self-promotional visual imagery shown by the television channels. The visual brand identities of each channel create the elements that make up each channel’s visual vocabulary, and each visual vocabulary in turn contributes to notions of “South Africanness” and definitions of South African identity. The study also explores the main concepts of ideology theory as a critical discursive practice to assist in a better understanding of the power relations in the SABC and its channel brands in particular. Some developments and changes in the SABC brand identities and the organisation of its television channels are studied from a historical perspective and correlated with ideology theory. In order to do this, the study also draws from semiotic theory. The author notes the semiotic quality of a brand and argues that the process of branding, the process of semiosis and the process of the dissemination of political ideologies bear structural resemblance. Basic definitions and key concepts of branding and corporate identity contribute to an enhanced understanding of the visual brand identities of the SABC television channels. An exploration of the elements specific to television channel branding helps to determine the signs, codes and meanings in SABC television channel branding. en
dc.description.availability unrestricted en
dc.description.department Visual Arts en
dc.identifier.citation Botha, W 2010, Ideology and myth in South African television : a critical analysis of SABC channel brand identities, MA dissertation, University of Pretoria, Pretoria, viewed yymmdd < http://hdl.handle.net/2263/26820 > en
dc.identifier.other C11/9/285/ag en
dc.identifier.upetdurl http://upetd.up.ac.za/thesis/available/etd-07292011-145322/ en
dc.identifier.uri http://hdl.handle.net/2263/26820
dc.language.iso en
dc.publisher University of Pretoria en_ZA
dc.rights © 2010 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. en
dc.subject Youth resistance en
dc.subject Television channel branding en
dc.subject Branding en
dc.subject Capitalist materialism en
dc.subject Conspicuous leisure en
dc.subject Corporate identity en
dc.subject Corporate image en
dc.subject Family en
dc.subject Hegemony en
dc.subject Idents en
dc.subject Ideological state apparatus en
dc.subject Myth en
dc.subject Nationalism en
dc.subject Political ideology en
dc.subject Populism en
dc.subject Rainbow nation en
dc.subject South african ideology en
dc.subject Sabc1 en
dc.subject Sabc2 en
dc.subject Sabc3 en
dc.subject UCTD en_US
dc.title Ideology and myth in South African television : a critical analysis of SABC channel brand identities en
dc.type Dissertation en


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