Browsing South African Journal of Art History Volume 27 (2012) by Title

Browsing South African Journal of Art History Volume 27 (2012) by Title

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  • David Hicks at Riversfield Farm – the closing of a chapter 
    Vosloo, Pieter Tobias (Art Historical Work Group of South Africa, 2012)
    David Hicks, internationally renowned British interior designer, author and garden designer, designed only three gardens in South Africa of which Riversfield Farm in the KZN Midlands was his last and uncompleted by the ...
  • Drawing and mark making in "Johannesburg 2nd Greatest City After Paris" 
    Oppermann, Johann (Art Historical Work Group of South Africa, 2012)
    In the animation film, "Johannesburg[,] 2nd Greatest City After Paris" (1989), of the South African artist William Kentridge, he combines his charcoal drawings and mark makings with photography, in what he calls Drawings ...
  • El Greco’s representation of the body of Christ in the "Crucifixion with Donors" : its mediation between the divine and the human 
    Mare, Estelle Alma (Art Historical Work Group of South Africa, 2012)
    The focus of this research is El Greco’s representation of Christ on the cross in the "Crucifixion with Donors" (circa 1577-80, Musée du Louvre). This painting shows the semi-nude body of the centrally placed Christ figure ...
  • The expertise of Architecture and its history 
    Quek, Raymond (Art Historical Work Group of South Africa, 2012)
    Many historical architectural constructions have been recorded and studied, but not all have been theorised. There seems to be a disconnection at several levels between the discourses of architectural history and the ...
  • Geomantic mapping of the human body in Japanese landscape design 
    Van Tonder, Gert J.; Hare, Thomas (Art Historical Work Group of South Africa, 2012)
    Harmony between the forces of nature and human activity was of great concern throughout the history of Japan. The divination of these important forces were governed through a canon of geomantic landscape design principles ...
  • History is returning to design 
    Tzonis, Alexander; Lefaivre, Liane (Art Historical Work Group of South Africa, 2012)
    I looked up “history” in the dictionary. The definition I liked best was, “study of the past.” Now any number of things can be the study of the past. Archaeology is the study of the past; it has more specific definitions ...
  • Iconic bodies: Ndebele women in ritual context 
    Van Vuuren, Chris J. (Art Historical Work Group of South Africa, 2012)
    Ndebele women of South Africa have become prominent visual artworks in the international world of commodity tourism and African art. Pictures of women clad in ritual beadwork against the backdrop of their art on homestead ...
  • Ideas of space from Isaac Newton to Etienne-Louis Boullee 
    Terzoglou, Nikolaos-Ion (Art Historical Work Group of South Africa, 2012)
    This paper aims to prove that a fertile dialogue between architectural history and the history of ideas can open interesting perspectives for the understanding of the process of design. This dialogue, offering a reconstruction ...
  • The influence of "botho" on social space in Botswana since independence 
    Steyn, Gerald (Art Historical Work Group of South Africa, 2012)
    Since independence, Botswana has developed from one of the poorest countries in the world to a middle-income country. In spite of rapid urbanisation and global capitalism, the ideology and philosophy of social interaction ...
  • Le Corbusier and the human body 
    Steyn, Gerald (Art Historical Work Group of South Africa, 2012)
    Le Corbusier (1887-1965), the famous Swiss-French artist, architect and town planner – celebrated as he is – is also widely criticised for allegedly dehumanising cities, ignoring the dignity of the individual and for ...
  • Le Corbusier’s town-planning ideas and the ideas of history 
    Steyn, Gerald (Art Historical Work Group of South Africa, 2012)
    Since Le Corbusier so forcefully propagated a new urban and architectural dispensation, there is a misconception that he disregarded history and that he conceptualised projects rationally and without preconceived ideas. ...
  • Leonardo da Vinci’s architectural designs as thought experiments: the sources and influence of his ideas 
    Mare, Estelle Alma (Art Historical Work Group of South Africa, 2012)
    It is argued that Leonardo da Vinci’s architectural designs are uniquely original due to his ability to connect ideas derived from a wide range of sources and his own empirical researches. This attempt at understanding ...
  • The mindful landscape : a healing outdoor experience for Weskoppies psychiatric hospital 
    Van der Walt, Ralene; Breed, Ida (Art Historical Work Group of South Africa, 2012)
    According to the World Health Organisation mental illnesses have consistently increased over the past century, resulting in undisputed social and economical consequences. The confinement of patients to mental institutions ...
  • Political imaginings in the visual art of South African Indians 
    Moodley, Nalini (Art Historical Work Group of South Africa, 2012)
    During times of pain, trauma and disempowerment, the creative field of fine art affords an opportunity for communication and self-empowerment. In the 1980s, which was one of the most turbulent decades in South Africa’s ...
  • A projective site: inhabiting the metaphorical interval between the instrumental and symbolic meanings of architecture 
    Roberts, Nick (Art Historical Work Group of South Africa, 2012)
    Historically, there have been two primary ways of perceiving space that have been considered opposed to one another. First is the analytical, measured space of representation - the drawings and models architects make, ...
  • Reflecting on the art making process 
    Van Heerden, Ariana; Munro, Marth (Art Historical Work Group of South Africa, 2012)
    This article reports on a mixed method study of painting and drawing activities of professional artists utilizing semi-structured interviews documenting affective states. The experiential data was supplemented with ...
  • Signs behind Rossetti 
    Van Staden, Pieter Schalk (Art Historical Work Group of South Africa, 2012)
    This article investigates related themes of the Pre-Raphaelite artist Dante Gabriel Rossetti (1828-1882) in relation to his idealized representation of the human figure. Rossetti often represented the female figure in a ...
  • Theorizing a contradiction between form and function in architecture 
    Hendrix, John (Art Historical Work Group of South Africa, 2012)
    The contradiction between form and function should be seen as an important element in architecture. Modernist functionalism prioritized the necessity that form is seen as a consequence of function, adapting Louis Sullivan’s ...
  • Typological form in the architecture of Gabriel (Gawie) Fagan (1925-) 
    Barker, Arthur Adrian Johnson (Art Historical Work Group of South Africa, 2012)
    Gabriël (Gawie) Fagan (1925-) is a leading South African architect. His architecture is regionally rooted and can be described as a “new” architecture that mediates between a love of the Cape vernacular, functional ...
  • When the ‘Law’ no longer suffices: "Dexter" 
    Olivier, Bert (Art Historical Work Group of South Africa, 2012)
    What are the hidden underpinnings of what may broadly be described as ‘vigilante’ stories, such as those in popular television series or films? What leads one to suspect that there are such out-of-sight presuppositions on ...