dc.contributor.author |
Visagie, Andries
|
|
dc.date.accessioned |
2012-09-19T07:11:11Z |
|
dc.date.available |
2012-09-19T07:11:11Z |
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dc.date.issued |
1997 |
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dc.description |
Article digitised using: Suprascan 1000 RGB scanner, scanned at 400 dpi; 24-bit colour; 100%
Image derivating - Software used:
Adobe Photoshop CS3 - Image levels, crop, deskew
Abbyy Fine Reader No.9 - Image manipulation + OCR
Adobe Acrobat 9 (PDF) |
en_US |
dc.description |
This article was written by Prof. Andries Visagie before he joined the University of Pretoria |
en_US |
dc.description.abstract |
The postmodernist element (among other things) in Louis Ferron's novel, Turkenvespers (1977) becomes apparent in Ferron's playful irreverence for historical
fact and chronology. History functions as a problematizing aspect in the efforts of the character Kaspar Hauser to attain coherent subjectivity. Kaspar unsuccessfully reverts to borrowed identities from both the historical and the literary past to constitute himself as an autonomous subject. This article examines the concomitance of history and subjectivity as represented in Turkenvespers. Furthermore, the various visions of history accommodated by Ferron's novel are explored and subsequently collated with postmodernist conceptions of history. |
en_US |
dc.description.uri |
http://explore.up.ac.za/record=b1146196 |
en_US |
dc.format.extent |
24 pages |
en_US |
dc.format.medium |
PDF |
en_US |
dc.identifier.citation |
Visagie, A 1997, 'Postmodernisme, subjektiwiteit en geskiedenis : Louis Ferron se Turkenvespers as ’n historiese collage', Tydskrif vir Nederlands en Afrikaans, vol. 4, no. 1, pp. 77-100. |
en_US |
dc.identifier.issn |
1022-6966 |
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dc.identifier.uri |
http://hdl.handle.net/2263/19824 |
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dc.language.iso |
Afrikaans |
en_US |
dc.publisher |
Suid-Afrikaanse Vereniging vir Neerlandistiek |
en_US |
dc.rights |
Suid-Afrikaanse Vereniging vir Neerlandistiek |
en_US |
dc.subject |
Postmodernisme |
en_US |
dc.subject |
Post-modernism |
en_US |
dc.subject |
Nederlandse literatuur |
en_US |
dc.subject |
Dutch literature |
en_US |
dc.subject |
Subjektiwiteit |
en_US |
dc.subject |
Subjectivity |
en_US |
dc.subject |
Geskiedenis |
en_US |
dc.subject |
Historiographical fiction |
en_US |
dc.title |
Postmodemisme, subjektiwiteit en geskiedenis : Louis Ferron se Turkenvespers as 'n historiese collage |
en_US |
dc.type |
Article |
en_US |