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- Browsing South African Journal of Art History Volume 26 (2011) by Type
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Browsing South African Journal of Art History Volume 26 (2011) by Type "Article"
Now showing items 1-20 of 37
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(Art Historical Work Group of South Africa, 2011)This article examines the textual relationship between the paintings of Adriaan van Zyl and the novel Memorandum: a story with paintings (2006) by Marlene van Niekerk. The traditional assumptions about what constitutes ...
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(Art Historical Work Group of South Africa, 2011)In Gerhard Moerdyk’s communications, both orally and in writing, on the origin and importance of the design of the Voortrekker Monument (1949, Pretoria, South Africa) he often associated this monument with various other ...
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(Art Historical Work Group of South Africa, 2011)This article is based on a contribution to the Art & Law Symposium held at the Dunedin School of Art at Otago Polytechnic, New Zeeland on 29 October, 2010. This symposium was jointly organized by the Dunedin School of ...
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(Art Historical Work Group of South Africa, 2011)The agenda for current discussion in copyright law has largely been set by digital technology. But whereas issues like illegal file-sharing and fair dealing rightly occupy centre-stage, the issue of moral or author’s ...
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(Art Historical Work Group of South Africa, 2011)According to the Hebrew Bible, Moses, who led the Hebrew people out of Egypt, received the Tables of the Law directly from the Lord, God Yahweh, on Mount Sinai. During Moses’s absence on the mountain his brother, Aaron, ...
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(Art Historical Work Group of South Africa, 2011)This article examines the legal protection available to works of craft in South Africa. Current protection in terms of intellectual property legislation is measured by determining whether three different enterprises enjoy ...
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(Art Historical Work Group of South Africa, 2011)During the eighteenth century, the Cape Colony developed into a violent society in every sense of the word. The type of crimes committed by perpetrators, the sentences imposed by the colonial authorities and the Court ...
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(Art Historical Work Group of South Africa, 2011)Mainstream understanding of how the urban form of South African cities developed over the past century and a half is often traced back to the colonial town plan. Writers argue that the gridiron and axial arrangement were ...
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(Art Historical Work Group of South Africa, 2011)El Greco’s career in Italy brought him into contact with diverse sixteenth-century artistic influences that affected his practice of portraiture. This article focusses on one of his supreme masterworks, the Portrait of ...
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(Art Historical Work Group of South Africa, 2011)This article focuses on the ambiguous aspects of 'ruin' in its different appearances - as visible material phenomenon and as concept or idea. The word 'ruin' implies the dialectic of passivity and action; the specific and ...
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(Art Historical Work Group of South Africa, 2011)This article attempts to communicate the unique ambience and scale of Venice during its Biennale; to draw attention to four sets of questions highlighted by the 2011 event; and to focus on a few projects (including their ...
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(Art Historical Work Group of South Africa, 2011)Dress is integral to visual culture. Judges, cultural vigilantes and in some cases, females themselves, have expressed or supported the notion that a woman deserves to be violated for her choice of dress. Such choice of ...
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(Art Historical Work Group of South Africa, 2011)During the 2008 elections the Zimbabwean media laws had a direct impact on the way that editorial cartoonists expressed themselves. The study contextualises an understanding of the editorial cartoon as practised in an ...
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(Art Historical Work Group of South Africa, 2011)In Cinema 1: The Movement-Image and Cinema 2: The Time-Image, Gilles Deleuze maintains that cinematic time-images first emerged after World War Two against the backdrop of the ‘any-space-whatever’ reflected in Italian ...
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(Art Historical Work Group of South Africa, 2011)When choosing a site for their colonial towns the Greeks favoured places that resembled the geological context of their native country, because they could adapt their familiar water management and town-planning practices ...
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(Art Historical Work Group of South Africa, 2011)This paper applies an appropriation of leveling, as a performance / performance art construct, in order to contribute to the dialogue between art and authority in the post-apartheid city of Johannesburg.
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(Art Historical Work Group of South Africa, 2011)The current renewed interest in the phenomenon of iconoclasm (a form of ruination) is a symptom of the re-thinking of the image in a medium-aware milieu. When the medium is attacked in iconoclastic acts, images endure ...
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(Art Historical Work Group of South Africa, 2011)On the 4th of May 2011 the District Court of The Hague (the Netherlands) reached a decision on the dispute between Louis Vuitton and artist Nadja Plesner. Louis Vuitton claimed Plesner had infringed the design right of ...
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(Art Historical Work Group of South Africa, 2011)Diane Victor’s print series, Disasters of Peace, pays homage to Goya’s revelations about war but addresses the violence of peace in post-apartheid South Africa. The delicate line and tone of her etching processes seduce ...
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(Art Historical Work Group of South Africa, 2011)This paper is an interpretation of the recent work of the Eastern Cape, Port Elizabeth artist, Cleone Cull, through what one might call a ‘close looking’ at the works in question (that would parallel ‘close reading’ of ...
Now showing items 1-20 of 37