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- Browsing South African Journal of Art History Volume 26 (2011) by Issue Date
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Browsing South African Journal of Art History Volume 26 (2011) by Issue Date
Now showing items 1-20 of 39
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(Art Historical Work Group of South Africa, 2011)This article is based on a contribution to the Art & Law Symposium held at the Dunedin School of Art at Otago Polytechnic, New Zeeland on 29 October, 2010. This symposium was jointly organized by the Dunedin School of ...
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(Art Historical Work Group of South Africa, 2011)For more than a century the statue of Paul Kruger has served as a focal point of political uncertainty and change in South Africa. Since Paul Kruger’s statue was first brought to Pretoria after its completion just before ...
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(Art Historical Work Group of South Africa, 2011)On the 4th of May 2011 the District Court of The Hague (the Netherlands) reached a decision on the dispute between Louis Vuitton and artist Nadja Plesner. Louis Vuitton claimed Plesner had infringed the design right of ...
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(Art Historical Work Group of South Africa, 2011)In this paper I examine two texts by Jacques Derrida, written at the beginning of 1990s, his “Force of Law: The Mystical Foundation of Authority” and Memoirs of the Blind: The Self Portrait and Other Ruins written on the ...
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(Art Historical Work Group of South Africa, 2011)When choosing a site for their colonial towns the Greeks favoured places that resembled the geological context of their native country, because they could adapt their familiar water management and town-planning practices ...
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(Art Historical Work Group of South Africa, 2011)The documents compiled for this journal are extracts from the mini-dissertation part of the Fine Art Masters redress1-un-dressed, ADVOCATE ALICE PRESENTS: R v JR 2010, completed in 2010 at the University of Cape Town. ...
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(Art Historical Work Group of South Africa, 2011)The departure point for this article is photographer Roger Ballen’s series Boarding house (2008), which is explored partly in terms of the antediluvian creature, Odradek, in Franz Kafka’s short story “Troubles of a ...
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(Art Historical Work Group of South Africa, 2011)In Gerhard Moerdyk’s communications, both orally and in writing, on the origin and importance of the design of the Voortrekker Monument (1949, Pretoria, South Africa) he often associated this monument with various other ...
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(Art Historical Work Group of South Africa, 2011)
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(Art Historical Work Group of South Africa, 2011)This article is introduced with a statement about the author’s involvement with El Greco studies and her attempts to understand the manifestation of mysticism in his art. The research focusses on the visual experience ...
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(Art Historical Work Group of South Africa, 2011)This paper is an interpretation of the recent work of the Eastern Cape, Port Elizabeth artist, Cleone Cull, through what one might call a ‘close looking’ at the works in question (that would parallel ‘close reading’ of ...
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(Art Historical Work Group of South Africa, 2011)In Cinema 1: The Movement-Image and Cinema 2: The Time-Image, Gilles Deleuze maintains that cinematic time-images first emerged after World War Two against the backdrop of the ‘any-space-whatever’ reflected in Italian ...
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(Art Historical Work Group of South Africa, 2011)This article focuses on the ambiguous aspects of 'ruin' in its different appearances - as visible material phenomenon and as concept or idea. The word 'ruin' implies the dialectic of passivity and action; the specific and ...
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(Art Historical Work Group of South Africa, 2011)Indigenous communities are richly endowed with some unique knowledge. This knowledge was for much of history held only by these indigenous communities, and was unwritten because it is transmitted orally from one generation ...
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(Art Historical Work Group of South Africa, 2011)Mainstream understanding of how the urban form of South African cities developed over the past century and a half is often traced back to the colonial town plan. Writers argue that the gridiron and axial arrangement were ...
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(Art Historical Work Group of South Africa, 2011)The ability to convincingly demonstrate the integration of and reciprocal dynamic between research and product in design assignments is now a prerequisite at most institutions of architectural learning. Due to the creative ...
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(Art Historical Work Group of South Africa, 2011)During the 2008 elections the Zimbabwean media laws had a direct impact on the way that editorial cartoonists expressed themselves. The study contextualises an understanding of the editorial cartoon as practised in an ...
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(Art Historical Work Group of South Africa, 2011)Mankind has enjoyed a long historical relationship with plants, using them as objects of beauty, sculpting gardens into a form of art and fashioning them into expressions of philosophical belief. From the 1970s onwards ...
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(Art Historical Work Group of South Africa, 2011)According to the Hebrew Bible, Moses, who led the Hebrew people out of Egypt, received the Tables of the Law directly from the Lord, God Yahweh, on Mount Sinai. During Moses’s absence on the mountain his brother, Aaron, ...
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(Art Historical Work Group of South Africa, 2011)Two important and original buildings in the respective oeuvres of the South African architects RS Uytenbogaardt (1933-1998) and C Strauss Brink (1920-1992), viz. the Bonwit Clothing Factory (1967) in Cape Town by the ...
Now showing items 1-20 of 39