Towards an interpretation of Chinese art

Show simple item record Mare, Estelle Alma 2011-05-23T14:10:39Z 2011-05-23T14:10:39Z 2011-05 1991-11-08
dc.description Article digitised using: Suprascan 1000 RGB scanner, scanned at 400 dpi; 24-bit colour; 100% Image derivating - Software used: Adobe Photoshop CS3 - Image levels, crop, deskew Abbyy Fine Reader No.9 - Image manipulation + OCR Adobe Acrobat 9 (PDF) en_US
dc.description In the article the author's name is incorrectly printed as Estelle A. Maree. en_US
dc.description.abstract The purpose of this article is to attempt an interpretation of the philosophical underpinning of Chinese art. In order to elucidate the meditative basis of Chinese art, western concepts which are considered to be complementary to those of the Chinese, especially those proposed by Martin Heidegger and Gaston Bachelard, are used to facilitate the interpretation of Chinese aesthetics. en_US
dc.description.abstract Die doel met hierdie artikel is om te poog om die filosofie wat Sjinese kuns onderle, te interpreteer. Ten einde die meditatiewe onderbou van Sjinese kuns toe te lig, word westerse konsepte wat as komplementer tot die van die Sjinese beskou word gebruik, by uitnemendheid die wat deur Martin Heidegger en Gaston Bachelard voorgestel is. af
dc.format.extent 6 pages en_US
dc.format.medium pdf en_US
dc.identifier.citation Mare, EA 1991, 'Towards an interpretation of Chinese art', South African Journal of Art History, vol. 9, pp. 1-20. en_US
dc.identifier.issn 0258-3542
dc.language.iso en en_US
dc.publisher Art Historical Work Group of South Africa en_US
dc.rights Art Historical Work Group of South Africa en_US
dc.subject Chinese art en_US
dc.subject Chinese aesthetics en_US
dc.subject Heidegger, Martin, 1889-1976 en_US
dc.subject Bachelard, Gaston, 1884-1962 en_US
dc.subject Philosophy of art en_US
dc.subject.lcsh Art, Chinese -- Philosophy en
dc.subject.lcsh Art, Chinese -- Appreciation en
dc.title Towards an interpretation of Chinese art en_US
dc.type Article en_US

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