dc.contributor.author |
Human, Francois
|
|
dc.date.accessioned |
2011-04-08T06:12:49Z |
|
dc.date.available |
2011-04-08T06:12:49Z |
|
dc.date.issued |
2010 |
|
dc.description.abstract |
Success or failure in achieving identification with characters plays a decisive role
in the emotional involvement of motion picture drama viewers. The author of this
article identified 270 specific guidelines and techniques for creating effective
identification with characters from existing sources. These guidelines and
techniques are broadly divided into five categories: needs, motivations and goals;
personality traits; physical traits; circumstances; and behaviour. These guidelines
and techniques are deliberately and effectively applied in screenplays that are
commercially successful, but are lacking or ineffectively utilised in most
commercially unsuccessful screenplays. In this article the five categories of
identification techniques are discussed and illustrated with examples from motion
picture dramas. The article concludes with a comparison between the utilisation,
or lack of utilisation, of identification techniques in the first acts of the Hollywood
production The Karate Kid and the South African production Brutal Glory
respectively. |
en |
dc.description.abstract |
Sukses of mislukking om identifisering te skep, speel ’n beslissende rol in die
emosionele betrokkenheid van rolprentdrama-kykers. Die outeur van hierdie
artikel het 270 riglyne en tegnieke vir die skep van effektiewe identifikasie met
karakters uit bestaande bronne geïdentifiseer. Hierdie riglyne en tegnieke is
breedweg in vyf kategorieë ingedeel, naamlik: behoeftes, motiverings en
doelwitte; persoonlikheidseienskappe; fisiese eienskappe; omstandighede; en
handeling. Hierdie riglyne en tegnieke word doelbewus en effektief aangewend in
draaiboeke wat kommersieel suksesvol is, maar ontbreek of word oneffektief
aangewend in die meeste draaiboeke wat kommersieel onsuksesvol is. In hierdie
artikel word die vyf kategorieë identifiseringstegnieke bespreek en toegelig met
voorbeelde uit rolprentdramas. Die artikel word afgesluit met ’n vergelyking
tussen die benutting van identifiseringstegnieke, of die gebrek daaraan, in die
eerste bedrywe van onderskeidelik die Hollywood-produksie The Karate Kid en die
Suid-Afrikaanse produksie Brutal Glory. |
af |
dc.identifier.citation |
Human, F 2010, 'Identifisering met die held en die emosionele betrokkenheid van kykers by rolprentdramas', LitNet Akademies, vol. 7, no. 2, pp. 48-64. [http://www.litnet.co.za/cgi-bin/giga.cgi?cmd=cause_dir_news&cat=201&cause_id=1270] |
en |
dc.identifier.issn |
1995-5928 |
|
dc.identifier.uri |
http://hdl.handle.net/2263/16231 |
|
dc.language.iso |
Afrikaans |
af |
dc.publisher |
LitNet |
en_US |
dc.rights |
LitNet |
en_US |
dc.subject |
Rolprentdramas |
af |
dc.subject |
Motion picture dramas |
en |
dc.subject |
Identifisering met die held |
af |
dc.subject |
Identification with the hero |
en |
dc.subject |
Emosionele betrokkenheid |
af |
dc.subject |
Emotional involvement |
en |
dc.subject |
Kykers |
af |
dc.subject |
Viewers |
en |
dc.subject.lcsh |
Heroes in motion pictures |
en |
dc.subject.lcsh |
Motion pictures -- Social aspects |
en |
dc.subject.lcsh |
Identification (Psychology) |
en |
dc.title |
Identifisering met die held en die emosionele betrokkenheid van kykers by rolprentdramas |
af |
dc.title.alternative |
Identification with the hero and the emotional involvement of viewers with motion picture dramas |
en |
dc.type |
Article |
af |