Abstract:
The purpose of the article is to decode the meaning and evaluate the architectural relationships of the Erdman Hall Dormitories at Bryn Mawr College, designed by Louis Kahn in collaboration with architects in his office during the early 1960s, as a totality of forms representing the disclosure of a "world". An attempt is made to assess the design of the dormitories as a process with reference to the functionality and aesthetics of the final product.
Description:
Article digitised using: Suprascan 1000 RGB scanner, scanned at 400 dpi; 24-bit colour; 100% Image derivating - Software used:
Adobe Photoshop CS3 - Image levels, crop, deskew Abbyy Fine Reader No.9 - Image manipulation + OCR Adobe Acrobat 9 (PDF)
