Browsing South African Journal of Art History Volume 04 (1989) by Type "Article"

Browsing South African Journal of Art History Volume 04 (1989) by Type "Article"

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  • Beknopte oorsig van Sjinese keramiek 
    Duffey, Alexander Edward (Art Historical Work Group of South Africa, 1989)
    Ceramic work has been characterised as the simplest and the most complex of all the arts, because it is elemental and abstract. No other nation has reached a higher level of development in ceramics than the Chinese. This ...
  • Betekenis van die 'Infanta' in Picasso se variasies op "Las Meninas" van Velazquez 
    Groenewald, M.M. (Art Historical Work Group of South Africa, 1989)
    Picasso created a series of forty-four paintings based on "Las Meninas" by Velazquez. In these works he embarked on a Journey of exploration with regard to form, iconography and iconology. This article researches the ...
  • Eenheidfaktore in die ontwikkeling van moskee-ontwerp 
    Le Roux, S.W. (Schalk Willem) (Art Historical Work Group of South Africa, 1989)
    Despite the immediately recognisable differences in form, construction, use of material and variance in spatial realisation between mosques throughout the Muslim world, they share architectural elements and principles. ...
  • Konferensieverslag: "Tendense van tagtig; teoriee en praktyke in die kunsgeskiedenis" (RGN, 7 Oktober 1989) 
    Van der Waal, Gerhard-Mark; Schmidt, Leoni (Art Historical Work Group of South Africa, 1989)
    In 'n tyd wat 'n mens aanhoudend dwing om standpunt in te neem, is daar behoefte aan gesprekke oor tendense. Sulke besinnings is hulpmiddels om tot 'n posisiebepaling te kom binne die netwerk van verhoudings waarin 'n mens ...
  • Literatuuroorsig en probleemstelling oor die rotskuns 
    Prins, M (Art Historical Workgroup of South Africa, 1989)
    Die rotskuns is voortgebring deur prehistoriese samelewingsgroepe wat nie die skryfkuns geken het nie en geen geskrewe bronne is dus beskikbaar wat Iig kan werp op die kuns nie. Uit die Iiteratuur blyk dit dat daar min ...
  • Max Ernst: "The hundred headless woman" and the eternal return 
    Janse van Rensburg, H.J. (Art Historical Work Group of South Africa, 1989)
    Max Ernst often responded to the thought of the philosopher Friedrich Nietzsche in his art in the 1920's. This study approaches the collage-novel, "The Hundred Headless Woman", from the perspective of Nietzsche's concept ...
  • Methodology in the recording of rock paintings 
    Lee, D.N. (Art Historical Work Group of South Africa, 1989)
    Daar bestaan 'n groeiende belangstelling in die belangrike rol wat San-rotsskilderinge speel in ons nasionale erfenis. Hierdie belangstelling het gelei tot 'n besef van die vinnige agteruitgang van hierdie werke, as gevolg ...
  • Motivation and the rain animal in the rock art of southern Africa 
    Woodhouse, Herbert Charles, 1919-2011 (Art Historical Work Group of South Africa, 1989)
    The question arises why paintings and engravings were made on the rocks of southern Africa and also why the theme of the 'rain animal' or 'rain snake' was often executed. Motivation for the artistic activity involved is ...