Browsing South African Journal of Art History Volume 04 (1989) by Title

Browsing South African Journal of Art History Volume 04 (1989) by Title

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  • Literatuuroorsig en probleemstelling oor die rotskuns 
    Prins, M (Art Historical Workgroup of South Africa, 1989)
    Die rotskuns is voortgebring deur prehistoriese samelewingsgroepe wat nie die skryfkuns geken het nie en geen geskrewe bronne is dus beskikbaar wat Iig kan werp op die kuns nie. Uit die Iiteratuur blyk dit dat daar min ...
  • Max Ernst: "The hundred headless woman" and the eternal return 
    Janse van Rensburg, H.J. (Art Historical Work Group of South Africa, 1989)
    Max Ernst often responded to the thought of the philosopher Friedrich Nietzsche in his art in the 1920's. This study approaches the collage-novel, "The Hundred Headless Woman", from the perspective of Nietzsche's concept ...
  • Methodology in the recording of rock paintings 
    Lee, D.N. (Art Historical Work Group of South Africa, 1989)
    Daar bestaan 'n groeiende belangstelling in die belangrike rol wat San-rotsskilderinge speel in ons nasionale erfenis. Hierdie belangstelling het gelei tot 'n besef van die vinnige agteruitgang van hierdie werke, as gevolg ...
  • Motivation and the rain animal in the rock art of southern Africa 
    Woodhouse, Herbert Charles, 1919-2011 (Art Historical Work Group of South Africa, 1989)
    The question arises why paintings and engravings were made on the rocks of southern Africa and also why the theme of the 'rain animal' or 'rain snake' was often executed. Motivation for the artistic activity involved is ...
  • South African Journal of Art History, Volume 4, Issue 3 & 4, 1989 
    Mare, Estelle Alma; Schmidt, Leoni (Art Historical Workgroup of South Africa, 1989-11)