Browsing South African Journal of Art History Volume 24 (2009) by Subject "Architecture"

Browsing South African Journal of Art History Volume 24 (2009) by Subject "Architecture"

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  • Proimos, Constantinos V. (Art Historical Work Group of South Africa, 2009)
    Peter Eisenman’s relation with deconstruction and the work of Jacques Derrida, in particular, has been documented not solely by the architect himself but also by several other authors. However, the actual dialogue between ...
  • Janse van Rensburg, Ariane (Art Historical Work Group of South Africa, 2009)
    In this explorative comparison between the Voortrekker Monument (G.L. Moerdijk, 1949) and the Freedom Park project (Mashabane Rose Architects, 2003 ongoing) on opposite hills south of Pretoria, the obvious differences in ...
  • Van Graan, Andre (Art Historical Work Group of South Africa, 2009)
    Following the introduction of the Slums Act by Central Government in 1934, the Cape Town City Council embarked on an ambitious public housing project linked to slum clearance being undertaken in the inner city areas of the ...
  • Steyn, Gerald (Art Historical Work Group of South Africa, 2009)
    Few countries have ever had the opportunity to rethink their architectural dogma as abruptly and radically as South Africa since the few years leading up to the democratic elections of 1994. With only a few exceptions, the ...
  • McEwen, Hugh (Art Historical Work Group of South Africa, 2009)
    This paper aims to examine the possible cross pollination between music and architecture through two of the most successful proponents of this translation. Since by its very nature translation involves an interpretation ...
  • Editorial 
    Mare, Estelle Alma (Art Historical Work Group of South Africa, 2009)
    Editorial to a special issue of SAJAH with the theme "Art/Architecture/Music".
  • Gaule, Sally (Art Historical Work Group of South Africa, 2009)
    Johannesburg’s built environment was shaped initially by the gold mining industry whose influence was indelibly writ upon its architectural symbolism. This has however, been intermingled and covered over by the residue of ...
  • Steyn, Carol (Art Historical Work Group of South Africa, 2009)
    Aram Il’ich Khachaturyan was born in Tblisi, Georgia, and spent most of his life in Moscow, but when one visits Yerevan, the capital of Armenia, today, Khachaturyan is all around you. His music, itself steeped in Armenian ...
  • Olivier, Bert (Art Historical Work Group of South Africa, 2009)
    It is a challenging task to think architecture and music together, given that they seem to be at opposite ends of the spectrum of arts. An attempt is nevertheless made to uncover what they have in common as arts, and ...
  • Mendoza, Marisela; Halion, Simon; Quek, Raymond (Art Historical Work Group of South Africa, 2009)
    The present paper explores the correlations of music and architecture through a design studio project carried out by second year students of the Architecture programme at Nottingham Trent University in the United Kingdom. ...
  • Geldenhuys, Daniel G. (Art Historical Work Group of South Africa, 2009)
    This article deals with the three disciplines of architecture, sculptural art and music in relation to the cultural-historical presence of the medieval Romanesque churches in the Dordogne region in the south west of France. ...
  • Naude, Mauritz (Art Historical Work Group of South Africa, 2009)
    Slate and shale are not usually considered as building stone for the construction of entire buildings in the vernacular farm architecture of the area north of the Vaal River (historically known as the Transvaal). Sandstone ...
  • Janse van Rensburg, Ariane (Art Historical Work Group of South Africa, 2009)
    Stained glass occupies a conjunction between glass painting as art and windows as architectural components. Originating as a form of painting, it was an integrated element in the architectural design of gothic cathedrals. ...