Browsing Journals (South African Journal of Art History (SAJAH)) by Subject "Kentridge, William, 1955-"

Browsing Journals (South African Journal of Art History (SAJAH)) by Subject "Kentridge, William, 1955-"

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  • Contrasting time and space in William Kentridge's film : "Johannesburg 2nd greatest city after PARIS" 
    Oppermann, Johann (Art Historical Work Group of South Africa, 2003)
    Both Johannesburg and Paris are great cities that played important roles in the private life of William Kentridge. Kentridge was born in Johannesburg and is still living there. It is mainly a mining city with visible ...
  • Drawing and mark making in "Johannesburg 2nd Greatest City After Paris" 
    Oppermann, Johann (Art Historical Work Group of South Africa, 2012)
    In the animation film, "Johannesburg[,] 2nd Greatest City After Paris" (1989), of the South African artist William Kentridge, he combines his charcoal drawings and mark makings with photography, in what he calls Drawings ...
  • The "Mine" metaphor in the work of William Kentridge 
    Oppermann, Johann (Art Historical Work Group of South Africa, 2001)
    This article discusses how Kentridge's drawings for his film "Mime" ["Mine"], explore the borders between memory and amnesia, drawing and erasure. His drawings reflect a rich record and leave traces of the animation ...
  • South African Journal of Art History, volume 18, 2003 
    Allen, N.P.L. (Nicholas P.L.); Mare, Estelle Alma (Art Historical Work Group of South Africa, 2003)
    The cover of this SAJAH features "Soho at Table" by William Kentridge, 1989, charcoal and pastel.
  • William Kentridge - creating animated images in space and time 
    Oppermann, Johann (Art Historical Work Group of South Africa, 2009)
    At issue in this article is "History of the Main Complaint" (1996), which is the sixth film in Kentridge’s "Drawings for Projection" series (1989-1999). The discussion is centred on spatiotemporal manipulations employed ...