Browsing Journals (South African Journal of Art History (SAJAH)) by Subject "El Greco, 1541-1614"
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Browsing Journals (South African Journal of Art History (SAJAH)) by Subject "El Greco, 1541-1614"
Now showing items 1-6 of 6
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(Art Historical Work Group of South Africa, 2010)For Renaissance artists whose purpose was to portray human figures convincingly knowledge of anatomy, which is based on the dissection of bodies, was essential. In the case of El Greco, who received his first artistic ...
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(Art Historical Workgroup of South Africa, 2000)Angels in Christian art mainly fulfil the role of intermediaries between God and human beings or messengers from God. In this article the focus will be on the inclusion of angels in representations of the Baptism of Christ, ...
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(Art Historical Workgroup of South Africa, 1999)The focus of this study is the angel in El Greco's "Burial of the Count of Orgaz". Art historians who have studied the Burial previously have not extracted the full meaning of this angel in their interpretations of it ...
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(Art Historical Work Group of South Africa, 2010)Without clear articulation of their insights, except in painted copies of and citations from his works, various modern artists seem to have recognised that formally El Greco’s late paintings are mental constructs, representing ...
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(Art Historical Work Group of South Africa, 2009)Angels are assumed to represent messengers from God and in Christian art they are traditionally depicted as winged human beings. In the visual arts all figures are mute; therefore angel music as the divine message relayed ...
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The qualitative change from naturalistic to transcendental space in selected paintings by El Greco (Art Historical Work Group of South Africa, 2003)The first group of El Greco's paintings discussed in this article are all naturalistic representations of the Annunciation theme and are chosen from his Italian period. The examples of his later paintings are chosen from ...
Now showing items 1-6 of 6