Abstract:
There are possibly myriad approaches to an examination of Sir Ben Okri’s African folktale, Every Leaf a Hallelujah (2021), that sings the praises of Mother Nature’s ability to transform human nature. Premised on the phenomenology of the eco-imagination that adopts Anna-Teresa Tymieniecka’s Imaginatio Creatrix as the pivotal force of the genesis/ontopoiesis of human life and reality, coupled with Arne Naess’s notion of “deep ecology” that likewise emphasises the intrinsic interconnectedness of all lifeforms and geophysical features on Planet Earth, the discussion shows that Every Leaf a Hallelujah implicitly explores the developmental phenomenology of perception via Achille Mbembe’s notion of Afropolitanism. It does this through the agency of the innocent prescience of a small Nigerian girl child, the seven-year-old Mangoshi who is attuned to the choral voices of nature. Writing against the rift of the prevalent Western belief in a nature that is utilitarian or where nature serves human needs, this article is embedded in an African eco-critical imaginary that investigates the interrelationship between human nature and Mother Nature from an Afropolitan literary perspective in which there is a mythic conjunction between humans and nature, as well as art and science. Echoing Tymieniecka’s phenomenology of life and the human creative condition, the argument concludes that Every Leaf a Hallelujah represents a significant contribution to contemporary discourse on conservation for sustainability.
