Psychological and visionary modes of creativity : a jungian analysis of westworld towards a potential design pedagogy

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dc.contributor.advisor Reyburn, Duncan
dc.contributor.postgraduate De Villiers, Courtney Jade
dc.date.accessioned 2024-04-19T07:56:22Z
dc.date.available 2024-04-19T07:56:22Z
dc.date.created 2020
dc.date.issued 2019-08
dc.description Dissertation (MA (Information Design))--University of Pretoria, 2019. en_ZA
dc.description.abstract This study explores the potential pedagogical value Jungian strategies may bring to creativity studies and design education. The study is largely interdisciplinary insofar as it draws from several disciplines including information design, visual studies, analytical psychology and education. Carl Jung’s psychology of art puts forward two modes of creative expression namely: the Psychological and the Visionary. The aim of the study is to establish a distinction between these two creative modes in their use of and approach to images, as well as analyse the interplay between these modes during the creative process, suggesting that engagement with both creative modes may lead to the creation and consumption of images that are inherently more meaningful. Westworld (2016) is selected as a creative text to analyse within Jung’s dialectical framework of Psychological and Visionary creativity. This text affords two layers of analysis which support the overarching aims of the study. Firstly, it allows for exploration of the mechanisms used for and toward creative development in the show which can be understood as a creative production in and of itself. This mirrors a possible approach for students working towards the production of creative outputs. Secondly, it serves as an analogical analysis of indicators of Visionary and Psychological creativity demonstrating the potential of Jungian thinking for approaching real-world creative pedagogy. This mirrors a possible approach for art and design educators assessing, facilitating and developing briefs for creative productions. Jungian developmental theory is synthesised with Piagetian constructivist learning theories and scaffolded upon real-world examples of existing design programmes that already employ these strategies. This ultimately aims at providing educators with possible analogical insights and strategies, and students with conceptual tools towards supporting creative transformation and deeper engagement with the meaningmaking process within design education. en_ZA
dc.description.availability Unrestricted en_ZA
dc.description.degree MA (Information Design) en_ZA
dc.description.department Drama en_ZA
dc.identifier.citation * en_ZA
dc.identifier.other S2021 en_ZA
dc.identifier.uri http://hdl.handle.net/2263/95672
dc.language.iso en en_ZA
dc.publisher University of Pretoria
dc.rights © 2021 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
dc.subject UCTD en_ZA
dc.subject Creativity en_ZA
dc.subject Jung, Images en_ZA
dc.subject Meaning-Making en_ZA
dc.subject Image-Making en_ZA
dc.subject Art and Design en_ZA
dc.subject Archetypes en_ZA
dc.title Psychological and visionary modes of creativity : a jungian analysis of westworld towards a potential design pedagogy en_ZA
dc.type Dissertation en_ZA


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