Chapter 6 : The typographic sensorium : a cross-modal reading of letterforms

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dc.contributor.author Rath, Kyle A.
dc.date.accessioned 2023-10-20T07:05:19Z
dc.date.available 2023-10-20T07:05:19Z
dc.date.issued 2022
dc.description.abstract Anyone living in a post-industrial society consumes and interacts with typography daily, albeit often unconsciously. For many of us, typography primarily is a linguistic or lexical tool; a vehicle by which we can express the content of language – ‘a carrier of words’. Be it on signage, billboards, packaging, a website or digital interface, wayfinding systems or as ink marks on the pages of a book or Kindle, we often gauge the usefulness of a typeface3 in terms of the degree to which it makes written content legible. en_US
dc.description.department Visual Arts en_US
dc.description.librarian hj2023 en_US
dc.description.uri https://www.pulp.up.ac.za/edited-collections/embodiment-and-the-arts-views-from-south-africa en_US
dc.identifier.citation Rath, K.A. 2022, 'Chapter 6 : The typographic sensorium : a cross-modal reading of letterforms', In: Embodiment and the Arts: Views from South Africa Edited by Jenni Lauwrens, pp. 121-151. en_US
dc.identifier.isbn 978-1-7764117-1-9
dc.identifier.uri http://hdl.handle.net/2263/93008
dc.language.iso en en_US
dc.publisher Pretoria University Law Press en_US
dc.rights © The Editor 2022. This work is licensed under a Creative Commons Attribution 4.0 International License. en_US
dc.subject Typography en_US
dc.subject Letterforms en_US
dc.title Chapter 6 : The typographic sensorium : a cross-modal reading of letterforms en_US
dc.type Book chapter en_US


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