dc.contributor.author |
Rath, Kyle A.
|
|
dc.date.accessioned |
2023-10-20T07:05:19Z |
|
dc.date.available |
2023-10-20T07:05:19Z |
|
dc.date.issued |
2022 |
|
dc.description.abstract |
Anyone living in a post-industrial society consumes and interacts with
typography daily, albeit often unconsciously. For many of us, typography
primarily is a linguistic or lexical tool; a vehicle by which we can express
the content of language – ‘a carrier of words’. Be it on signage, billboards,
packaging, a website or digital interface, wayfinding systems or as ink
marks on the pages of a book or Kindle, we often gauge the usefulness of a
typeface3 in terms of the degree to which it makes written content legible. |
en_US |
dc.description.department |
Visual Arts |
en_US |
dc.description.librarian |
hj2023 |
en_US |
dc.description.uri |
https://www.pulp.up.ac.za/edited-collections/embodiment-and-the-arts-views-from-south-africa |
en_US |
dc.identifier.citation |
Rath, K.A. 2022, 'Chapter 6 : The typographic sensorium : a cross-modal reading of letterforms', In: Embodiment and the Arts: Views from South Africa
Edited by Jenni Lauwrens, pp. 121-151. |
en_US |
dc.identifier.isbn |
978-1-7764117-1-9 |
|
dc.identifier.uri |
http://hdl.handle.net/2263/93008 |
|
dc.language.iso |
en |
en_US |
dc.publisher |
Pretoria University Law Press |
en_US |
dc.rights |
© The Editor 2022. This work is licensed under a Creative Commons Attribution 4.0 International License. |
en_US |
dc.subject |
Typography |
en_US |
dc.subject |
Letterforms |
en_US |
dc.title |
Chapter 6 : The typographic sensorium : a cross-modal reading of letterforms |
en_US |
dc.type |
Book chapter |
en_US |