Abstract:
There is a general consensus among religious scholars that Pentecostalism has risen phenomenally in Africa and Zimbabwe is no exception. In most cases, Pentecostalism has been presented as a sophisticated brand of Christianity while members of African Independent churches are shown to be gullible. The newly founded Pentecostal churches are more focused on gospreneurship while the media is busy with cases of cheating, dishonesty and the sexual abuse of women in these churches. Thus, academic scholars have begun to pay their attention on gullibility in Pentecostalism. Unfortunately, not many scholarly works have looked at literary texts that bring out the gullibility of members of Pentecostal churches in Zimbabwe. This article seeks to bridge this gap by analysing Aaron Chiundura Moyo’s Kereke Inofa [The Church Can die]. The main purpose is to bring out the
significance of literary texts in projecting societal ills, specifically the gender power dynamics in Zimbabwean Pentecostal churches that may be difficult to deal with directly. The focus is on how women and some men are victims of the whims of some Pentecostal church leaders. The article is informed by the socio-historical approach, which states that artists derive the material for their works of art, subject matter, images and artistic languages from the life experiences of their societies. The socio-historical approach enables the researcher to understand the prevalence of gullibility in Pentecostal churches in Zimbabwe. The article relies heavily on content analysis of Moyo’s Kereke Inofa’s presentation of deception, and infidelity in Pentecostal Churches being performed on members who are projected in this play as ‘gullible’.
