Abstract:
For over 35 years SAVAL-LASA's Journal of Literary Studies, ably assisted and directed by Andries Oliphant, devoted itself to examining literary texts. In the waxing and waning of theories it did a remarkable job reading and discussing a plethora of writings in English and Afrikaans. Thus, to honour Andries's work with a much-deserved Festschrift seems to me not only fitting but also a timely juncture to address anew the purpose of literary studies, a scholarly field split in South Africa between an English-speaking tradition of literary criticism and a Continental European lineage of critical thought more aptly named literatuurwetenskap, knowledge of and about literature. From within the legacy of the latter, I want to mark this commemorative occasion with a moment of reflection in the spirit of J.M. Coetzee's 2003 essay "The Humanities in Africa," particularly at a time when the humanities and with it their most important support structure, literary studies, are facing a global stress test. Poignantly noted by Coetzee's protagonist Elizabeth Costello, the humanities are not only "in Africa but in the wider world too [in] an embattled situation" (2003, 119). Once "the core of the university," she muses as "an outsider, but if she were asked to name the core of the university today, its core discipline, she would say it was moneymaking" (125). Diminishing registrations and lack of financial support for literature-language departments worldwide testify to the sad state of a field in competition nowadays with, among others, cultural, gender, queer, women's, environmental, postcolonial, decolonial, critical race, and translation studies. In addition, current theory fatigue in the humanities largely hinders rigorous questioning of what it means to do literature. Such questioning, however, is vital at a time when in the grip of the digital revolution under the sway of technoscience we find ourselves at institutional and intellectual crossroads.
