Conservation strategies for contemporary street art in Pretoria : a study of Jared Pereira’s public paintings

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dc.contributor.advisor Loubser, Maggi
dc.contributor.postgraduate Joubert, Carmen Catherina
dc.date.accessioned 2023-02-07T11:52:19Z
dc.date.available 2023-02-07T11:52:19Z
dc.date.created 2023-04-23
dc.date.issued 2022
dc.description Mini Dissertation (MSocSci (Tangible Heritage Conservation))--University of Pretoria, 2022. en_US
dc.description.abstract This study aims to shed some valuable light on the world of street art in Pretoria and will also explore ways to conserve this art form. This case study is specific to the street artist Jared Pereira, who practices in Pretoria, South Africa. This was done by visiting the artist’s works and is based on an interview with the artist. This is an understudied field in Southern Africa. My study aims to not only investigate artist’s intent, but to investigate the temporality of street art. Focus will also be placed on the environment and experience of street art and how this ties to its conservation (for example through time-based media such as videography and interactive imagery). New practices should be established in the conservation of these public art pieces. My hope is that this study will provide insight into the practical care of street art and both historical and relevant contemporary graffiti under the ideas of ethical boundaries, biodegradation, artist’s intent, and material care. The notion of temporality is not a theme of investigation but an objective of the study. It was concluded that including the artist in the conservation process is integral when possible. Gaining insight into Jared Pereira’s (JESTR’s ) thoughts on his work in museums, moving into the digital world and conserving his works authentically was of great value to add to the very complex conversation surrounding the conservation of graffiti and street art. The way his works mutate with their environments and how he approaches this (by also changing the works and letting the public see what he wants them to see), and his unique use of NFTs (Non-Fungible Tokens) to reclaim the temporality and illegality of his works; proves for a fascinating conservation study. Studying the artist Jared Pereira is an illuminating experience concerning street art in Pretoria. It opens up a new world of art accessible to everyone; a world worthy of conservation and celebration. en_US
dc.description.availability Unrestricted en_US
dc.description.degree MSocSci (Tangible Heritage Conservation) en_US
dc.description.department Tangible Heritage Conservation en_US
dc.identifier.citation * en_US
dc.identifier.other A2023 en_US
dc.identifier.uri https://repository.up.ac.za/handle/2263/89230
dc.language.iso en en_US
dc.publisher University of Pretoria
dc.rights © 2022 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
dc.subject UCTD en_US
dc.subject Art conservation en_US
dc.subject Street artists en_US
dc.subject Videography en_US
dc.subject Interactive imagery en_US
dc.subject City of Pretoria en_US
dc.title Conservation strategies for contemporary street art in Pretoria : a study of Jared Pereira’s public paintings en_US
dc.type Mini Dissertation en_US


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