Abstract:
The conservation of time-based media is seldom straightforward. This is often because the key element in this form of art is not a physical object, but rather its character, message, or how the message is perceived and received by the visitor and their experience of it. Looking at site-specific artworks or exhibitions where the location is tied to a specific meaning, this essay discusses digital conservation options to ensure long-term availability and accessibility. This approach could be particularly significant for exhibitions that, as a result of their theme, content, or social commentary remain relevant today.
The approach of digital conservation discussed in the present research allows for the preservation of multiple component parts as a coherent whole as opposed to archival practice which would preserve the various elements separately as text, image, or recording in stasis. AR as a conservation method allows the presentation of both reality and an altered version side-by-side, adding to what the viewer can already see. AR may thus be a modern solution to the ephemerality of revolving exhibitions as it does not require altering a physical location, merely overlaying virtual content into a meaningful location.
