Abstract:
The practice of architecture,
much as the human mind itself, would
seem to occupy two domains, that of the
rational and that of the romantic. The
fact of the matter is not that there is a
dualism or dichotomy, but rather that
these are, in reality, elided worlds. What
we usually see in the expressed aesthetic
of a design is the predominance of the
realm that guides the thinking of the
designer, and then not appreciate the
subsumed or disguised influence of its
counterpart.
