dc.contributor.author |
Celliers-Barnard, Bettie
|
|
dc.date.accessioned |
2016-07-07T06:55:23Z |
|
dc.date.available |
2016-07-07T06:55:23Z |
|
dc.date.created |
1972 |
|
dc.date.issued |
2010 |
|
dc.description |
After Bettie Cilliers-Barnard’s return from Paris to South Africa in 1972, there
was a definite return to figurative subjects in her art. A search for a new identity
and a contemplation of man’s place in society became important themes in her
work. This totem-like figure of a female “patriarch”, surrounded by other
vertical figure-like shapes in rectangles, is typical of this new direction in her
oeuvre. The sun-dusk in her breast and the bird-like shape on her head are
symbols of wholeness and freedom. |
en_ZA |
dc.format.extent |
1250 mm x 900 mm |
en_ZA |
dc.format.medium |
Oil on canvas |
en_ZA |
dc.identifier.uri |
http://hdl.handle.net/2263/54006 |
|
dc.publisher |
Department of UP Arts |
en_ZA |
dc.relation.ispartofseries |
UP-Art: paintings, drawings and sculptures, Bettie Celliers-Barnard Collection |
en_ZA |
dc.rights |
Copyright of the electronic version, University of Pretoria. |
en_ZA |
dc.subject |
Arts |
en_ZA |
dc.subject |
Totem |
en_ZA |
dc.subject |
Patriarch |
en_ZA |
dc.subject |
Modern |
en_ZA |
dc.subject |
Egyptian |
en_ZA |
dc.subject.lcsh |
Painting -- South Africa |
|
dc.subject.lcsh |
Arts, Modern -- 20th century |
|
dc.title |
The patriarch |
en_ZA |
dc.title.alternative |
Die Patriag |
en_ZA |
dc.type |
Image |
en_ZA |