dc.contributor.author |
Celliers-Barnard, Bettie
|
|
dc.date.accessioned |
2016-07-06T13:04:05Z |
|
dc.date.available |
2016-07-06T13:04:05Z |
|
dc.date.created |
1968 |
|
dc.date.issued |
2010 |
|
dc.description |
The human figure in both figurative and symbolic form begins to reappear more
conspicuously in Bettie’s work of the late sixties. In works like this crucifixion the
form of the cross in itself suggests the human figure. In many of the works of
this period the artist announces the reinstatement of the human figure in the
conical forms and in the titles. |
en_ZA |
dc.format.extent |
1200mm x 900mm |
en_ZA |
dc.format.medium |
Oil on canvas |
en_ZA |
dc.identifier.uri |
http://hdl.handle.net/2263/53892 |
|
dc.publisher |
Department of UP Arts |
en_ZA |
dc.relation.ispartofseries |
UP-Art: paintings, drawings and sculptures, Bettie Celliers-Barnard Collection |
en_ZA |
dc.rights |
Copyright of the electronic version, University of Pretoria. |
en_ZA |
dc.subject |
Crucifixion |
en_ZA |
dc.subject |
Figurative |
en_ZA |
dc.subject |
Symbolic |
en_ZA |
dc.subject.lcsh |
Painting -- South Africa |
|
dc.subject.lcsh |
Arts, Modern -- 20th century |
|
dc.title |
Crucifixion |
en_ZA |
dc.title.alternative |
Kruisiging |
en_ZA |
dc.type |
Image |
en_ZA |