dc.contributor.author |
Celliers-Barnard, Bettie
|
|
dc.date.accessioned |
2016-07-06T12:44:10Z |
|
dc.date.available |
2016-07-06T12:44:10Z |
|
dc.date.created |
1964 |
|
dc.date.issued |
2010 |
|
dc.description |
The exercise piece shows how the artist started experimenting with nonfigurative
forms. She considered non-figurative abstraction as a way to gauge
the cosmos in all its magnificence and to contemplate the special in juxtaposition
to the concrete. |
en_ZA |
dc.format.extent |
400mm x 485mm |
en_ZA |
dc.format.medium |
Crayon |
en_ZA |
dc.identifier.uri |
http://hdl.handle.net/2263/53858 |
|
dc.publisher |
Department of UP Arts |
en_ZA |
dc.relation.ispartofseries |
UP-Art: paintings, drawings and sculptures, Bettie Celliers-Barnard Collection |
en_ZA |
dc.rights |
Copyright of the electronic version, University of Pretoria. |
en_ZA |
dc.subject |
Non-figurative |
en_ZA |
dc.subject |
Forms |
en_ZA |
dc.subject.lcsh |
Painting -- South Africa |
|
dc.subject.lcsh |
Arts, Modern -- 20th century |
|
dc.title |
Form within form |
en_ZA |
dc.title.alternative |
Vorm binne vorm |
en_ZA |
dc.type |
Image |
en_ZA |