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South African Journal of Art History Volume 29 (2014): Recent submissions

  • “Slow” architecture and its links with Slow Food 
    Louw, Mike; Mare, Estelle Alma (Art Historical Work Group of South Africa, 2014)
    There have always been links between food and architecture, but the connections between Slow Food and Slow Architecture that are explored here could highlight a number of lessons learned and shared between these two ...
  • Die deelnemingsparadigma as ’n addisionele paradigma in multi-praktisyns en praktykgeleide navorsingsprojekte 
    Marley, Ian; Swanepoel, Rita; Mare, Estelle Alma (Art Historical Work Group of South Africa, 2014)
    This article explores the possibility that the participatory paradigm might be an appropriate research paradigm for creative practitioners to produce practice-led research. In the context of multi-practitioner arts-related ...
  • On the question of architecture and identity, in post-apartheid South Africa 
    Noble, J.A. (Jonathan); Mare, Estelle Alma (Art Historical Work Group of South Africa, 2014)
    Considerations as to personal and group identity seem to be everywhere these days, in the national news, in the latest pop/rap video and with respect to the very clothes that we choose to wear. Significantly, in ...
  • Character and characterisation in the visual arts : nunology’s punning characters 
    Rathbone, Louisemarié; Lotz, Colette; Mare, Estelle Alma (Art Historical Work Group of South Africa, 2014)
    This article presents an interpretation of the nun-like figures in Ian Marley and Wessie van der Westhuizen’s artist’s book Nunology. The nun-like figures, all with names that suggest puns of some sort, comprise the cast ...
  • Bellman hangars : structures of scale and functionality 
    Naude, Mauritz; Mare, Estelle Alma (Art Historical Work Group of South Africa, 2014)
    Industrial buildings and structures are not usually associated with the discipline of architecture but rather with civil engineering. However, industrial structures form an important part of the manmade landscape of the ...
  • Expressing liminality through a reflective practice account of Dismotief 
    Strydom, Richardt; Goosen, Moya; Mare, Estelle Alma (Art Historical Work Group of South Africa, 2014)
    Dismotief (dis-motif) is an interdisciplinary production that explores masculinity, identity and language. The collaborative exhibition, held in the Potchefstroom City Hall in 2012, encompassed poetry, visual art and ...
  • Sin van plek en bioregionalisme : gelaagdheid in ʼn kunstenaarsboekinstallasie van Stanley Grootboom 
    Greyling, Franci; Mare, Estelle Alma (Art Historical Work Group of South Africa, 2014)
    Kunstenaarsboeke as multimodale en gelaagde werke is ʼn kunsvorm waardeur konkrete, abstrakte en konseptuele ruimte op ʼn besondere wyse vergestalt kan word, en as sodanig kan dit ook vereenselwig word met ʼn bepaalde sin ...
  • Visualising the merging of culture from an ‘other’ perspective 
    Keogh, Sarah; Mare, Estelle Alma (Art Historical Work Group of South Africa, 2014)
    This paper reflects on the challenges of cultural identity in an increasingly globalised society. As the individual questions their identity within a surge of globalisation, and with it a dominant Western viewpoint, so ...
  • “Hollow” : reflections on practice, the artefact and the body 
    Du Preez, Linda; Mare, Estelle Alma (Art Historical Work Group of South Africa, 2014)
    This article uses a rhizomatic approach to explore how the artist acquired experiential knowledge and insight through the experience and practice of making the expressive artefact “Hollow” (2011). Sullivan argues, “the ...
  • Identity in architecture and art : Versailles, Giverny and Gyeongju 
    Olivier, Bert; Mare, Estelle Alma (Art Historical Work Group of South Africa, 2014)
    This paper explores the different “identities” projected by the palace and gardens of Versailles, the house and garden of Claude Monet in Giverny (France), and Mount Namsan in (South) Korea. It is argued that the palace ...