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Drama: Recent submissions
Now showing items 41-60 of 92
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(University of Pretoria, 2020)This article engages with audience perception of emotion in a physical theatre performance. Two primary, yet conflicting, scholarly discourses relating to how human beings perceive emotions in themselves and in others are ...
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(University of Pretoria, 2020)Dance-based physical theatre as a sub-strand of Physical Theatre, is positioned as a continuum of dance. Dance-based physical theatre performers are encouraged to embrace their personal uniqueness and previous dance training, ...
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(Routledge, 2019)This article forms part of a larger qualitative, conceptual project that investigates the ways in which Laban Movement Analysis (LMA) can contribute to the larger field of dance research and education with reference to ...
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(University of Pretoria, 2018)Angels in South Africa: Exploring Modern Progressive and Queer Realities in South Africa through Theatre is a thesis based on the development of the South African experimental play, Angels in South Africa. The play is a ...
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(University of Pretoria, 2018)Introduction This study used elements of process drama to explore and facilitate training of empathy skills in medical students. To do so, a training session through role-play was introduced, which was evaluated through ...
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(Routledge, 2018)This article explores the ways in which drama-based strategies were used to stimulate critical inquiry into constructs of power, gender and sexual orientation amongst a group of Grade 10 learners. Drama, with its emphasis ...
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(AOSIS Open Journals, 2018-07-18)The church-funded CARFO or KARFO (Afrikaans Christian Filmmaking Organisation) was established in 1947, and aimed to ‘[socialise] the newly urbanized Afrikaner into a Christian urban society’ (Tomaselli 1985:25; Paleker ...
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(University of Pretoria, 2017)Much of Afrikaans cinema before and after 1994 is characterized by a historically dominant heroic narrative. In response to this dominance, this study offers a postheroic framework for contemporary Afrikaans cinema to ...
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(University of Pretoria, 2018)Screendance as an interdisciplinary practice influenced by the histories of cinema and dance, necessitates a vocabulary aimed specifically at perceiving it as an autonomous art form. This study is a qualitative, practice-based ...
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(University of Pretoria, 2017)“Forgive me reader. It has been two months since my last confession. Ere I err let me confess that this reasearch is to be understood as a confession and this abstract (also a confession) written after the fact. My confession: ...
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(University of Pretoria, 2018)This study takes place in the investigation of two aspects. The first was the process of translation and adaptation of the play Razor in the Flesh (1967) by the Brazilian playwright Plinio Marcos to South African English ...
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(University of Pretoria, 2018)This study considers the L2 actor’s engagement with L2 text, within a multilingual South African actor-training context, and includes an authoethographic element as I draw from my lived experience as lecturer-director at ...
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(Shakespeare Society of Southern Africa, 2017)This article examines how gender identity is represented in a filmic adaptation of Shakespeare’s play text Romeo and Juliet within South Africa’s postcolonial context, thereby positioning identity politics as crucial in ...
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(Routledge, 2018-01)When a script stipulates actions, gestural routines and mental models for a character that clash with the personal values of the actor, it creates dissonance between what the actor (as person) believes, represents or feels, ...
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(Shakespeare Society of Southern Africa, 2017)Sonny Venkatrathnam’s ‘Robben Island Bible’ or ‘Robben Island Shakespeare’ has captured the public imagination. The book is a tangible marker of resistance and, for many, an affirmation of the relevance of Shakespeare ...
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(University of Pretoria, 2018)Festivals, including arts festivals, have a long history of acting as special slices of space and time to commemorate or celebrate cultural occasions (Getz, 2007, p. 11). Getz’ views events and festivals as ‘special places’ ...
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(Routledge, 2017-07)This article explores the ways in which playback theatre was used to interrogate the views of adolescents on their social context(s) and establish what the personal and dominant discourses operating in their views were. ...
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(University of Pretoria, 2016)The performer's conceptualisation and perception of herself is projected through the acoustic voice and impacts upon vocal delivery in rehearsal and performance. However, in the context of performer voice training in ...
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(University of Pretoria, 2016)This study aims to investigate and directorially apply Antonin Artaud's concept of The Absolute in order to destabilise the victim/perpetrator binary between the characters Beth and Jake in Sam Shepard's play text, A lie ...
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(Routledge, 2012)This paper positions Community Theatre as an agency for development and education based on the educational principles of Freire and Boal’s Theatre for Development. The paper argues that Appreciative Inquiry can enrich ...
Now showing items 41-60 of 92