This study, entitled African modernism and identity politics: curatorial practice in the Global South with particular reference to South Africa, postulates that perceptions of African identity in curatorial exhibitions ...

In hierdie bespreking word in hoofstuk 1 net 'n korte oorsig gegee van sy vroeëre lewe en herkoms. Die doel is om hoofsaaklik stil te staan by hom as mens en kunsskilder vandat hy in Suid-Afrika kom woon het, en meer in ...

In this study I explore the Waterberg plateau, Namibia, through identified sand sites in the area, looking into their ecology, geology, culture, and history. I use sand as an artistic medium, not only for its aesthetic ...

Reality is the verbal term for an abstract idea of something which is real, through existence and acceptance. Something that is, something that was and something that will be. A truth, a value that made the existence of ...

This research explores the creative effects of including Generative Adversarial Networks (GANs) in the printmaking working process. A GAN is an artificially intelligent computer model trained to mimic the abstract properties ...

This study investigates certain existential themes found in the work of Austrian director Michael Haneke. As such the focus is on the existential philosophy of Martin Heidegger, specifcally Heidegger’s notion of Being as ...

Hierdie studie stel hom dit hoofsaaklik ten doel om 'n krities-waarderende blik te gee op die versameling petrogliewe van die Transvaal-Museum, gehuisves in die Ou Museum in Boomstraat, Pretoria. Die problem wat die onderwerp ...

The literature about race and gender includes extensive research on the representation of black women. However, most of these studies have been conducted in the West; only a few have been done in Africa in general and in ...

The interlocutor assemblage In this practice-led Fine Art research project, I examine how sculptural assemblages created as a form of bricolage and presented in my suburb, Sunnyside, as a multicultural, cosmopolitan, ...

This study proposes an answer to the question of what the contemporary relevance of the writings of GK Chesterton (1874-1936) may be to the field of visual culture studies in general and to discourse on visual hermeneutics ...