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- Browsing South African Journal of Art History Volume 26 (2011) by Issue Date
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Browsing South African Journal of Art History Volume 26 (2011) by Issue Date
Now showing items 1-20 of 39
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(Art Historical Work Group of South Africa, 2011)For more than a century the statue of Paul Kruger has served as a focal point of political uncertainty and change in South Africa. Since Paul Kruger’s statue was first brought to Pretoria after its completion just before ...
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(Art Historical Work Group of South Africa, 2011)This article is based on a contribution to the Art & Law Symposium held at the Dunedin School of Art at Otago Polytechnic, New Zeeland on 29 October, 2010. This symposium was jointly organized by the Dunedin School of ...
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(Art Historical Work Group of South Africa, 2011)On the 4th of May 2011 the District Court of The Hague (the Netherlands) reached a decision on the dispute between Louis Vuitton and artist Nadja Plesner. Louis Vuitton claimed Plesner had infringed the design right of ...
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(Art Historical Work Group of South Africa, 2011)The article covers the exclusion of an architect from further work on his magnum opus. At issue is an agreement reached after a successful collaboration over almost eight years, breached before it could take effect. The ...
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(Art Historical Work Group of South Africa, 2011)This paper applies an appropriation of leveling, as a performance / performance art construct, in order to contribute to the dialogue between art and authority in the post-apartheid city of Johannesburg.
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(Art Historical Work Group of South Africa, 2011)When choosing a site for their colonial towns the Greeks favoured places that resembled the geological context of their native country, because they could adapt their familiar water management and town-planning practices ...
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(Art Historical Work Group of South Africa, 2011)The documents compiled for this journal are extracts from the mini-dissertation part of the Fine Art Masters redress1-un-dressed, ADVOCATE ALICE PRESENTS: R v JR 2010, completed in 2010 at the University of Cape Town. ...
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(Art Historical Work Group of South Africa, 2011)The current renewed interest in the phenomenon of iconoclasm (a form of ruination) is a symptom of the re-thinking of the image in a medium-aware milieu. When the medium is attacked in iconoclastic acts, images endure ...
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(Art Historical Work Group of South Africa, 2011)There are several senses in which one can understand a constellation that is set up between architecture and the ‘law’, the most salient of which is the way that the former is influenced, or directed, by laws of different ...
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(Art Historical Work Group of South Africa, 2011)The agenda for current discussion in copyright law has largely been set by digital technology. But whereas issues like illegal file-sharing and fair dealing rightly occupy centre-stage, the issue of moral or author’s ...
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(Art Historical Work Group of South Africa, 2011)In this paper I examine two texts by Jacques Derrida, written at the beginning of 1990s, his “Force of Law: The Mystical Foundation of Authority” and Memoirs of the Blind: The Self Portrait and Other Ruins written on the ...
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(Art Historical Work Group of South Africa, 2011)In observing recent journals, one notices the frequent use of stone cladding on building projects and associated advertisements, as a demand for a variety of stone cladding types. This article explores the idea of stone ...
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(Art Historical Work Group of South Africa, 2011)El Greco’s career in Italy brought him into contact with diverse sixteenth-century artistic influences that affected his practice of portraiture. This article focusses on one of his supreme masterworks, the Portrait of ...
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(Art Historical Work Group of South Africa, 2011)The ruin of the homestead represents place making and an understanding of the layered landscape where former labour tenants resided. Ruins comprehend narratives which deal with the socio-political circumstances of the ...
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(Art Historical Work Group of South Africa, 2011)The subject of this article is the monastic complex at Mafra, Portugal, commissioned by Dom João V (King John V, 1689-1750). An overview of the historical circumstances of the building project is followed by José Saramago’s ...
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(Art Historical Work Group of South Africa, 2011)Contemporary authors on African urbanism regularly repeat reports by early European travellers of large Tswana settlements with populations of approximately 20,000, apparently the same size as Cape Town at that time. ...
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(Art Historical Work Group of South Africa, 2011)Dress is integral to visual culture. Judges, cultural vigilantes and in some cases, females themselves, have expressed or supported the notion that a woman deserves to be violated for her choice of dress. Such choice of ...
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(Art Historical Work Group of South Africa, 2011)This article examines the legal protection available to works of craft in South Africa. Current protection in terms of intellectual property legislation is measured by determining whether three different enterprises enjoy ...
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(Art Historical Work Group of South Africa, 2011)This article examines the textual relationship between the paintings of Adriaan van Zyl and the novel Memorandum: a story with paintings (2006) by Marlene van Niekerk. The traditional assumptions about what constitutes ...
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(Art Historical Work Group of South Africa, 2011)Diane Victor’s print series, Disasters of Peace, pays homage to Goya’s revelations about war but addresses the violence of peace in post-apartheid South Africa. The delicate line and tone of her etching processes seduce ...
Now showing items 1-20 of 39