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- South African Journal of Art History Volume 26 (2011)
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- Browsing South African Journal of Art History Volume 26 (2011) by Issue Date
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Browsing South African Journal of Art History Volume 26 (2011) by Issue Date
Now showing items 1-20 of 39
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(Art Historical Work Group of South Africa, 2011)This article examines the textual relationship between the paintings of Adriaan van Zyl and the novel Memorandum: a story with paintings (2006) by Marlene van Niekerk. The traditional assumptions about what constitutes ...
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(Art Historical Work Group of South Africa, 2011)Dress is integral to visual culture. Judges, cultural vigilantes and in some cases, females themselves, have expressed or supported the notion that a woman deserves to be violated for her choice of dress. Such choice of ...
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(Art Historical Work Group of South Africa, 2011)The subject of this article is the monastic complex at Mafra, Portugal, commissioned by Dom João V (King John V, 1689-1750). An overview of the historical circumstances of the building project is followed by José Saramago’s ...
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(Art Historical Work Group of South Africa, 2011)Contemporary authors on African urbanism regularly repeat reports by early European travellers of large Tswana settlements with populations of approximately 20,000, apparently the same size as Cape Town at that time. ...
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(Art Historical Work Group of South Africa, 2011)This article attempts to communicate the unique ambience and scale of Venice during its Biennale; to draw attention to four sets of questions highlighted by the 2011 event; and to focus on a few projects (including their ...
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(Art Historical Work Group of South Africa, 2011)During the eighteenth century, the Cape Colony developed into a violent society in every sense of the word. The type of crimes committed by perpetrators, the sentences imposed by the colonial authorities and the Court ...
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(Art Historical Work Group of South Africa, 2011)This article examines the legal protection available to works of craft in South Africa. Current protection in terms of intellectual property legislation is measured by determining whether three different enterprises enjoy ...
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(Art Historical Work Group of South Africa, 2011)Mankind has enjoyed a long historical relationship with plants, using them as objects of beauty, sculpting gardens into a form of art and fashioning them into expressions of philosophical belief. From the 1970s onwards ...
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(Art Historical Work Group of South Africa, 2011)The agenda for current discussion in copyright law has largely been set by digital technology. But whereas issues like illegal file-sharing and fair dealing rightly occupy centre-stage, the issue of moral or author’s ...
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(Art Historical Work Group of South Africa, 2011)The article covers the exclusion of an architect from further work on his magnum opus. At issue is an agreement reached after a successful collaboration over almost eight years, breached before it could take effect. The ...
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(Art Historical Work Group of South Africa, 2011)The current renewed interest in the phenomenon of iconoclasm (a form of ruination) is a symptom of the re-thinking of the image in a medium-aware milieu. When the medium is attacked in iconoclastic acts, images endure ...
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(Art Historical Work Group of South Africa, 2011)The documents compiled for this journal are extracts from the mini-dissertation part of the Fine Art Masters redress1-un-dressed, ADVOCATE ALICE PRESENTS: R v JR 2010, completed in 2010 at the University of Cape Town. ...
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(Art Historical Work Group of South Africa, 2011)Ceramic pots which once were whole and in use by peoples many centuries ago have, in most instances along the Eastern Cape coast of southern Africa, become fragmented and buried below consecutive layers of sand, soil, ...
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(Art Historical Work Group of South Africa, 2011)Diane Victor’s print series, Disasters of Peace, pays homage to Goya’s revelations about war but addresses the violence of peace in post-apartheid South Africa. The delicate line and tone of her etching processes seduce ...
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(Art Historical Work Group of South Africa, 2011)The ruin of the homestead represents place making and an understanding of the layered landscape where former labour tenants resided. Ruins comprehend narratives which deal with the socio-political circumstances of the ...
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(Art Historical Work Group of South Africa, 2011)El Greco’s career in Italy brought him into contact with diverse sixteenth-century artistic influences that affected his practice of portraiture. This article focusses on one of his supreme masterworks, the Portrait of ...
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(Art Historical Work Group of South Africa, 2011)In observing recent journals, one notices the frequent use of stone cladding on building projects and associated advertisements, as a demand for a variety of stone cladding types. This article explores the idea of stone ...
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(Art Historical Work Group of South Africa, 2011)This article focuses on the ambiguous aspects of 'ruin' in its different appearances - as visible material phenomenon and as concept or idea. The word 'ruin' implies the dialectic of passivity and action; the specific and ...
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(Art Historical Work Group of South Africa, 2011)In Cinema 1: The Movement-Image and Cinema 2: The Time-Image, Gilles Deleuze maintains that cinematic time-images first emerged after World War Two against the backdrop of the ‘any-space-whatever’ reflected in Italian ...
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(Art Historical Work Group of South Africa, 2011)This article is introduced with a statement about the author’s involvement with El Greco studies and her attempts to understand the manifestation of mysticism in his art. The research focusses on the visual experience ...
Now showing items 1-20 of 39