South African Journal of Art History Volume 26 (2011)

South African Journal of Art History Volume 26 (2011)

 

Letter of Consent

South African Journal of Art History, Volume 26, Issue 1 (2011)
Content
De Beer, K.E.A. How far can artistic speech go with the use of famous trademarks & designs?"
Dountio, Joelle The protection of traditional knowledge : challenges and possibilities arising from the protection of biodiversity in South Africa
Kelbrick, Roshana, Stevens, Ingrid & Mare, Estelle Alma Editorial : the visual arts and the law
Kelbrick, Roshana & Stevens, Ingrid Can intellectual property legislation adequately protect the South African craft industry?
Lauterbach, Thorsten Author-architects and the moral right of integrity in copyright law
Mare, Estelle Alma The Biblical account of Moses receiving the Tables of the Law and a pictorial interpretation of the event by Jacopo Tintoretto
Mushohwe, Knowledge Saayman, Hattingh, Heidi & Iconomou, Inge The effect of media law on selected Zimbabwean editorial cartoons during Zimbabwe's 2008 harmonised general elections
Olivier, Bert 'Sustainable' architecture and the 'law' of the fourfold
Rankin, Elizabeth Human rights and human wrongs : public perceptions of Diane Victor's Disasters of Peace
Rust, Elgin 'redress-un-dressed' Introducing a play of judicial and aesthetic processes of redress
Schmidt, Leoni Art, law and politics : the Vermeegeren forgeries
Taub, Myer Getting away with it
Kwenaite, Sindi & Van Heerden, Ariana Dress and violence : women should avoid dressing like 'sluts' to avoid being raped
Viljoen, Russel Cape of Execution : the gallows at the Cape of Good Hope as represented in the colonial art of Johannes Rach and Lady Anne Barnard
South African Journal of Art History, Volume 26, Issue 2 (2011)
Content
De Bruyn, Derick Stone cladding as articucial ruin for triggering nostalgia
De Villiers-Human, Suzanne History, ruin and sacrament : the breaking of images and the breaking of the bread
Konik, Adrian From ruination to renewal : the critical value of a proto-crystalline regime in German expressionist cinema
Mare, Estelle Alma A Marxist view of ruination : Joseacute; Saramago's fictional version of the construction of Dom Joatilde;o V's monastic complex at Mafra, Portugal
Mare, Estelle Alma & Bitzer, Rudolf Editorial : ruination as metaphor and process: ideals, damage, and the passing of time
Middleton, Lorraine & Vosloo, Piet Sources of new ornamental plants : the importance of heritage plants and plant relicts from historic places and old gardens
Peters, Walter 'Men are as great as the Monuments they leave behind' : Wilhelm O Meyer and the (Rand Afrikaans) University of Johannesburg, Kingsway Campus
Proimos, Constantinos V. Interpretative violence and Jacques Derrida's professed love of ruins
Steele, John Potshards of Zig-Zag cave at Port St Johns, Eastern Cape, South Africa
Steyn, Gerald The spatial patterns of Tswana stone-walled towns in perspective
Van der Vyver, Yolanda Geology and ruin as settlement generators in Provence-Alpes-Côte d'Azur
Van Vuuren, Chris J. A lifetime in ruins : the farm life of blacks on the Mpumalanga Highveld
Verster, Wanda The role of photography, place and memory in gallery and museum design
Viljoen, Marga The dialectic of ruin
South African Journal of Art History, Volume 26, Issue 3 (2011)
Content
Brink, Basil Subjugated South African buildings : the Bonwit clothing factory in Cape Town and the peri-urban areas Health Board Building in Pretoria
Crous, Marius Adriaan Van Zyl : Memorandum : Marlene Van Niekerk
Labuschagne, Pieter Memorial complexity and political change : Paul Kruger's statue's political travels through space and time
Mare, Estelle Alma Contrapposto in El Greco's Portrait of Cardinal Don Fernanado Niño De Guevara and its possible prototype
Mare, Estelle Alma The mystical visions of El Greco' backturned figures
Olivier, Bert Interconnectedness and process in Cleone Cull's visual art Bert Olivier
Schmidt, Leoni Drawing strategies at the Venice Biennale 2011
Schoeman, Gerhard Myth, ruin and self-exposure : Roger Ballen and the afterlives of images
Steenkamp, Alta Ambiguous associations : monuments referred to in the design of the Voortrekker Monument
Steyn, Gerald Le Corbusier's research-based design approaches
Van der Westhuizen, Diaan Colonial conceptions and space in the evolution of a city : evidence from the city of Bloemfontein, 1846-1946

Recent Submissions

  • Van Vuuren, Chris J. (Art Historical Work Group of South Africa, 2011)
    The ruin of the homestead represents place making and an understanding of the layered landscape where former labour tenants resided. Ruins comprehend narratives which deal with the socio-political circumstances of the ...
  • Proimos, Constantinos V. (Art Historical Work Group of South Africa, 2011)
    In this paper I examine two texts by Jacques Derrida, written at the beginning of 1990s, his “Force of Law: The Mystical Foundation of Authority” and Memoirs of the Blind: The Self Portrait and Other Ruins written on the ...
  • Steenkamp, Alta (Art Historical Work Group of South Africa, 2011)
    In Gerhard Moerdyk’s communications, both orally and in writing, on the origin and importance of the design of the Voortrekker Monument (1949, Pretoria, South Africa) he often associated this monument with various other ...
  • Steyn, Gerald (Art Historical Work Group of South Africa, 2011)
    Contemporary authors on African urbanism regularly repeat reports by early European travellers of large Tswana settlements with populations of approximately 20,000, apparently the same size as Cape Town at that time. ...
  • Steele, John (Art Historical Work Group of South Africa, 2011)
    Ceramic pots which once were whole and in use by peoples many centuries ago have, in most instances along the Eastern Cape coast of southern Africa, become fragmented and buried below consecutive layers of sand, soil, ...
  • Van der Vyver, Yolanda (Art Historical Work Group of South Africa, 2011)
    When choosing a site for their colonial towns the Greeks favoured places that resembled the geological context of their native country, because they could adapt their familiar water management and town-planning practices ...
  • Crous, Marius (Art Historical Work Group of South Africa, 2011)
    This article examines the textual relationship between the paintings of Adriaan van Zyl and the novel Memorandum: a story with paintings (2006) by Marlene van Niekerk. The traditional assumptions about what constitutes ...
  • Schoeman, Gerhard (Art Historical Work Group of South Africa, 2011)
    The departure point for this article is photographer Roger Ballen’s series Boarding house (2008), which is explored partly in terms of the antediluvian creature, Odradek, in Franz Kafka’s short story “Troubles of a ...
  • Mare, Estelle Alma (Art Historical Work Group of South Africa, 2011)
    This article is introduced with a statement about the author’s involvement with El Greco studies and her attempts to understand the manifestation of mysticism in his art. The research focusses on the visual experience ...
  • De Villiers-Human, Suzanne (Art Historical Work Group of South Africa, 2011)
    The current renewed interest in the phenomenon of iconoclasm (a form of ruination) is a symptom of the re-thinking of the image in a medium-aware milieu. When the medium is attacked in iconoclastic acts, images endure ...
  • Lauterbach, Thorsten (Art Historical Work Group of South Africa, 2011)
    The agenda for current discussion in copyright law has largely been set by digital technology. But whereas issues like illegal file-sharing and fair dealing rightly occupy centre-stage, the issue of moral or author’s ...
  • Kwenaite, Sindi; Van Heerden, Ariana (Art Historical Work Group of South Africa, 2011)
    Dress is integral to visual culture. Judges, cultural vigilantes and in some cases, females themselves, have expressed or supported the notion that a woman deserves to be violated for her choice of dress. Such choice of ...
  • Taub, Myer (Art Historical Work Group of South Africa, 2011)
    This paper applies an appropriation of leveling, as a performance / performance art construct, in order to contribute to the dialogue between art and authority in the post-apartheid city of Johannesburg.
  • Brink, Basil (Art Historical Work Group of South Africa, 2011)
    Two important and original buildings in the respective oeuvres of the South African architects RS Uytenbogaardt (1933-1998) and C Strauss Brink (1920-1992), viz. the Bonwit Clothing Factory (1967) in Cape Town by the ...
  • Olivier, Bert (Art Historical Work Group of South Africa, 2011)
    This paper is an interpretation of the recent work of the Eastern Cape, Port Elizabeth artist, Cleone Cull, through what one might call a ‘close looking’ at the works in question (that would parallel ‘close reading’ of ...
  • Schmidt, Leoni (Art Historical Work Group of South Africa, 2011)
    This article is based on a contribution to the Art & Law Symposium held at the Dunedin School of Art at Otago Polytechnic, New Zeeland on 29 October, 2010. This symposium was jointly organized by the Dunedin School of ...
  • Rust, Elgin (Art Historical Work Group of South Africa, 2011)
    The documents compiled for this journal are extracts from the mini-dissertation part of the Fine Art Masters redress1-un-dressed, ADVOCATE ALICE PRESENTS: R v JR 2010, completed in 2010 at the University of Cape Town. ...
  • Steyn, Gerald (Art Historical Work Group of South Africa, 2011)
    The ability to convincingly demonstrate the integration of and reciprocal dynamic between research and product in design assignments is now a prerequisite at most institutions of architectural learning. Due to the creative ...
  • Kelbrick, Roshana; Stevens, Ingrid; Mare, Estelle Alma (Art Historical Work Group of South Africa, 2011)
  • Peters, Walter (Art Historical Work Group of South Africa, 2011)
    The article covers the exclusion of an architect from further work on his magnum opus. At issue is an agreement reached after a successful collaboration over almost eight years, breached before it could take effect. The ...

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