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South African Journal of Art History Volume 26 (2011)
Letter of
Consent
South African Journal of Art History, Volume 26, Issue 1 (2011)
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Content
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De Beer,
K.E.A. |
How far
can artistic speech go with the use of famous trademarks & designs?"
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Dountio, Joelle
|
The protection of
traditional knowledge : challenges and possibilities arising from the protection
of biodiversity in South Africa
|
Kelbrick, Roshana,
Stevens, Ingrid & Mare, Estelle Alma
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Editorial : the visual
arts and the law
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Kelbrick,
Roshana & Stevens, Ingrid |
Can intellectual property
legislation adequately protect the South African craft industry?
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Lauterbach,
Thorsten
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Author-architects
and the moral right of integrity in copyright law
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Mare, Estelle Alma
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The Biblical account
of Moses receiving the Tables of the Law and a pictorial interpretation
of the event by Jacopo Tintoretto
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Mushohwe, Knowledge
Saayman, Hattingh, Heidi
& Iconomou, Inge |
The effect of media
law on selected Zimbabwean editorial cartoons during Zimbabwe's 2008 harmonised
general elections
|
Olivier, Bert
|
'Sustainable' architecture
and the 'law' of the fourfold
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Rankin, Elizabeth
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Human rights and human
wrongs : public perceptions of Diane Victor's Disasters of Peace
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Rust, Elgin
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'redress-un-dressed'
Introducing a play of judicial and aesthetic processes of redress
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Schmidt, Leoni
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Art, law and politics
: the Vermeegeren forgeries
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Taub, Myer
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Getting away with it
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Kwenaite, Sindi &
Van Heerden, Ariana
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Dress and violence
: women should avoid dressing like 'sluts' to avoid being raped
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Viljoen, Russel
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Cape of Execution
: the gallows at the Cape of Good Hope as represented in the colonial art
of Johannes Rach and Lady Anne Barnard
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South African Journal of Art History, Volume 26, Issue 2 (2011)
|
Content
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De Bruyn,
Derick
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Stone
cladding as articucial ruin for triggering nostalgia
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De Villiers-Human,
Suzanne
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History, ruin and
sacrament : the breaking of images and the breaking of the bread
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Konik, Adrian
|
From ruination to
renewal : the critical value of a proto-crystalline regime in German expressionist
cinema
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Mare, Estelle Alma
|
A Marxist view of ruination
: Joseacute; Saramago's fictional version of the construction of Dom Joatilde;o
V's monastic complex at Mafra, Portugal
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Mare, Estelle Alma
& Bitzer, Rudolf
|
Editorial : ruination
as metaphor and process: ideals, damage, and the passing of time
|
Middleton, Lorraine
& Vosloo, Piet
|
Sources
of new ornamental plants : the importance of heritage plants and plant relicts
from historic places and old gardens
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Peters, Walter
|
'Men are as great as the Monuments
they leave behind' : Wilhelm O Meyer and the (Rand Afrikaans) University
of Johannesburg, Kingsway Campus
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Proimos, Constantinos
V.
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Interpretative violence
and Jacques Derrida's professed love of ruins
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Steele, John
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Potshards of Zig-Zag
cave at Port St Johns, Eastern Cape, South Africa
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Steyn, Gerald
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The spatial patterns
of Tswana stone-walled towns in perspective
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Van der Vyver, Yolanda
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Geology and ruin as
settlement generators in Provence-Alpes-Côte d'Azur
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Van Vuuren, Chris J.
|
A lifetime in ruins
: the farm life of blacks on the Mpumalanga Highveld
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Verster, Wanda
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The role of photography,
place and memory in gallery and museum design
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Viljoen, Marga
|
The
dialectic of ruin
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South African Journal of Art History, Volume 26, Issue 3 (2011)
|
Content
|
Brink,
Basil
|
Subjugated
South African buildings : the Bonwit clothing factory in Cape Town and the
peri-urban areas Health Board Building in Pretoria
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Crous, Marius
|
Adriaan Van Zyl : Memorandum : Marlene
Van Niekerk
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Labuschagne, Pieter
|
Memorial complexity and political change
: Paul Kruger's statue's political travels through space and time
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Mare, Estelle Alma
|
Contrapposto in El
Greco's Portrait of Cardinal Don Fernanado Niño De Guevara and its
possible prototype
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Mare, Estelle Alma
|
The mystical visions of El Greco' backturned
figures
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Olivier, Bert
|
Interconnectedness
and process in Cleone Cull's visual art Bert Olivier
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Schmidt, Leoni
|
Drawing strategies
at the Venice Biennale 2011
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Schoeman, Gerhard
|
Myth, ruin and self-exposure
: Roger Ballen and the afterlives of images
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Steenkamp, Alta
|
Ambiguous associations
: monuments referred to in the design of the Voortrekker Monument
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Steyn, Gerald
|
Le Corbusier's research-based
design approaches
|
Van der Westhuizen,
Diaan
|
Colonial conceptions
and space in the evolution of a city : evidence from the city of Bloemfontein,
1846-1946
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Recent Submissions
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Van Vuuren, Chris J.
(Art Historical Work Group of South Africa, 2011)
The ruin of the homestead represents place making and an understanding of the layered landscape where
former labour tenants resided. Ruins comprehend narratives which deal with the socio-political circumstances
of the ...
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Proimos, Constantinos V.
(Art Historical Work Group of South Africa, 2011)
In this paper I examine two texts by Jacques Derrida, written at the beginning of 1990s, his “Force of
Law: The Mystical Foundation of Authority” and Memoirs of the Blind: The Self Portrait and Other
Ruins written on the ...
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Steenkamp, Alta
(Art Historical Work Group of South Africa, 2011)
In Gerhard Moerdyk’s communications, both orally and in writing, on the origin and importance
of the design of the Voortrekker Monument (1949, Pretoria, South Africa) he often associated this
monument with various other ...
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Steyn, Gerald
(Art Historical Work Group of South Africa, 2011)
Contemporary authors on African urbanism regularly repeat reports by early European travellers
of large Tswana settlements with populations of approximately 20,000, apparently the same size
as Cape Town at that time. ...
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Steele, John
(Art Historical Work Group of South Africa, 2011)
Ceramic pots which once were whole and in use by peoples many centuries ago have, in most instances
along the Eastern Cape coast of southern Africa, become fragmented and buried below consecutive
layers of sand, soil, ...
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Van der Vyver, Yolanda
(Art Historical Work Group of South Africa, 2011)
When choosing a site for their colonial towns the Greeks favoured places that resembled the
geological context of their native country, because they could adapt their familiar water management
and town-planning practices ...
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Crous, Marius
(Art Historical Work Group of South Africa, 2011)
This article examines the textual relationship between the paintings of Adriaan van Zyl and the novel
Memorandum: a story with paintings (2006) by Marlene van Niekerk. The traditional assumptions
about what constitutes ...
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Schoeman, Gerhard
(Art Historical Work Group of South Africa, 2011)
The departure point for this article is photographer Roger Ballen’s series Boarding house (2008),
which is explored partly in terms of the antediluvian creature, Odradek, in Franz Kafka’s short story
“Troubles of a ...
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Mare, Estelle Alma
(Art Historical Work Group of South Africa, 2011)
This article is introduced with a statement about the author’s involvement with El Greco studies and
her attempts to understand the manifestation of mysticism in his art. The research focusses on the
visual experience ...
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De Villiers-Human, Suzanne
(Art Historical Work Group of South Africa, 2011)
The current renewed interest in the phenomenon of iconoclasm (a form of ruination) is a symptom of
the re-thinking of the image in a medium-aware milieu. When the medium is attacked in iconoclastic
acts, images endure ...
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Lauterbach, Thorsten
(Art Historical Work Group of South Africa, 2011)
The agenda for current discussion in copyright law has largely been set by digital technology.
But whereas issues like illegal file-sharing and fair dealing rightly occupy centre-stage, the issue
of moral or author’s ...
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Kwenaite, Sindi; Van Heerden, Ariana
(Art Historical Work Group of South Africa, 2011)
Dress is integral to visual culture. Judges, cultural vigilantes and in some cases, females themselves,
have expressed or supported the notion that a woman deserves to be violated for her choice of
dress. Such choice of ...
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Taub, Myer
(Art Historical Work Group of South Africa, 2011)
This paper applies an appropriation of leveling, as a performance / performance art construct, in order
to contribute to the dialogue between art and authority in the post-apartheid city of Johannesburg.
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Brink, Basil
(Art Historical Work Group of South Africa, 2011)
Two important and original buildings in the respective oeuvres of the South African architects RS
Uytenbogaardt (1933-1998) and C Strauss Brink (1920-1992), viz. the Bonwit Clothing Factory (1967)
in Cape Town by the ...
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Olivier, Bert
(Art Historical Work Group of South Africa, 2011)
This paper is an interpretation of the recent work of the Eastern Cape, Port Elizabeth artist, Cleone
Cull, through what one might call a ‘close looking’ at the works in question (that would parallel
‘close reading’ of ...
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Schmidt, Leoni
(Art Historical Work Group of South Africa, 2011)
This article is based on a contribution to the Art & Law Symposium held at the Dunedin School of Art
at Otago Polytechnic, New Zeeland on 29 October, 2010. This symposium was jointly organized by
the Dunedin School of ...
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Rust, Elgin
(Art Historical Work Group of South Africa, 2011)
The documents compiled for this journal are extracts from the mini-dissertation part of the Fine
Art Masters redress1-un-dressed, ADVOCATE ALICE PRESENTS: R v JR 2010, completed in
2010 at the University of Cape Town. ...
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Steyn, Gerald
(Art Historical Work Group of South Africa, 2011)
The ability to convincingly demonstrate the integration of and reciprocal dynamic between research
and product in design assignments is now a prerequisite at most institutions of architectural learning.
Due to the creative ...
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Kelbrick, Roshana; Stevens, Ingrid; Mare, Estelle Alma
(Art Historical Work Group of South Africa, 2011)
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Peters, Walter
(Art Historical Work Group of South Africa, 2011)
The article covers the exclusion of an architect from further work on his magnum opus. At issue is an
agreement reached after a successful collaboration over almost eight years, breached before it could
take effect. The ...
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