Abstract:
Interesting parallels between literary and visual arts exist. A text may
possess visuality, while visual arts may possess textuality. In this paper,
the interrelations between the literary description of the story of David
and Bathsheba (2 Sm 11) and depictions of this story in the visual arts
are explored. For some reason, this story possesses exceptional creative
potential. Particular attention is given to the painting 'The Toilet of
Bathsheba (1654)' by Rembrandt. An analysis of this painting sheds
light on the subtle dynamics of the story. Its haunting beauty succeeds in
communicating the complex implications of the story. Sexuality serves as
an interface between the story and reality, luring the reader into this
intrigue. The reader finds himself unexpectedly in David's position. By
acknowledging this kind of intertextuality, new dimensions of meaning
can be explored.
