dc.contributor.author |
Coetzee, Marie-Heleen
|
|
dc.contributor.author |
Munro, Marth
|
|
dc.date.accessioned |
2011-03-09T06:34:10Z |
|
dc.date.available |
2011-03-09T06:34:10Z |
|
dc.date.issued |
2010 |
|
dc.description.abstract |
While the general contours of virtuosity are the same across media, every sacred monster is unique; every technique organizes its own monstrosity, and every community engages its virtuoso monsters on its own terms (Hamera 2007: 42). |
en |
dc.identifier.citation |
Coetzee, M-H & Munro, M 2010, 'Embodied knowledges : physical theatre and the physicality of theatre', South African Theatre Journal, vol. 24, pp. 10-14. [ htpp://www.sun.ac.za/drama] |
en |
dc.identifier.issn |
1013-7548 |
|
dc.identifier.uri |
http://hdl.handle.net/2263/16015 |
|
dc.language.iso |
en |
en_US |
dc.publisher |
Centre for Theatre and Performance Studies, University of Stellenbosch |
en_US |
dc.rights |
Centre for Theatre and Performance Studies, University of Stellenbosch. |
en_US |
dc.subject |
Physical theatre |
en |
dc.subject |
Virtuosity |
en |
dc.subject.lcsh |
Theater -- Philosophy |
en |
dc.title |
Embodied knowledges : physical theatre and the physicality of theatre |
en |
dc.type |
Article |
en |