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- Browsing South African Journal of Art History Volume 25 (2010) by Issue Date
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Browsing South African Journal of Art History Volume 25 (2010) by Issue Date
Now showing items 1-20 of 35
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(Art Historical Work Group of South Africa, 2010)This article is a continuation of my exploration of photography with reference to the dialectics of historicity and expectation, archive and performance, absence and presence, theatricality and antitheatricality, visibility ...
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(Art Historical Work Group of South Africa, 2010)This article examines pornography and erotica as categories of representation, in which cultural and societal constructions and constrictions define the female body as passive and ‘other’ in relation to the male body. ...
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(Art Historical Work Group of South Africa, 2010)This paper focuses on the question of mediation via images. Its point of departure is the work of Kant on the mediation of human reality by the faculty of reason, including imagination and the forms of space and time, ...
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(Art Historical Work Group of South Africa, 2010)From the earliest days of South African colonisation - through the offices of the VOC - there was the hegemony of Calvinist belief as it manifests in Dutch Reformed Protestantism in which death was preordained, inevitable ...
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(Art Historical Work Group of South Africa, 2010)The issue of authenticity in visual art is critically addressed at the outset of this paper. This general discussion leads to a study of the works presented by Lady Michaelis to the South African National Gallery in the ...
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(Art Historical Work Group of South Africa, 2010)This article focuses on Maurice Merleau-Ponty's phenomenology of the body and his explications of the body as mediator of the world. Merleau-Ponty's notion of the body which projects the cultural world around it by means ...
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(Art Historical Work Group of South Africa, 2010)The concepts "coincidentia oppositorum" and "hankan gõitso" were respectively formulated in the West and the Far East (Japan). The essence of both is that harmony is created when opposites coincide in a structural unity. ...
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(Art Historical Work Group of South Africa, 2010)This article argues that the educational power of botanical gardens goes beyond the scientific collection of data but also makes use of the artistic influence of the garden through the perception and experience of the user. ...
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(Art Historical Work Group of South Africa, 2010)There are various concepts of optimal human functioning such as creativity, flow, peak experience and self-actualization. With suggestions that creativity and flow are interrelated, and possibly even interchangeable, at ...
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(Art Historical Work Group of South Africa, 2010)
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(Art Historical Work Group of South Africa, 2010)Taking as its point of departure the validity of Michel Foucault’s ideas concerning disciplinary power, bio-power, and the privileged position of sexuality as a focal point of their combination, this article furnishes a ...
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(Art Historical Work Group of South Africa, 2010)Editorial to SAJAH 2010 with the theme “The visual arts and the sciences".
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(Art Historical Work Group of South Africa, 2010)It is possible that artists, in the making of memorials and monuments, might aid in the process of national healing after a traumatic national era or event. This, it is argued, is more likely to be achieved through the ...
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(Art Historical Work Group of South Africa, 2010)Editorial to SAJAH 2010 issue with the theme: "The processes of mediation".
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(Art Historical Work Group of South Africa, 2010)This paper discusses the fundamental pedagogical objectives and methodologies that were employed in a graduate level interior design studio to expand the boundaries of applicability of the profession and to encourage ...
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(Art Historical Work Group of South Africa, 2010)For Renaissance artists whose purpose was to portray human figures convincingly knowledge of anatomy, which is based on the dissection of bodies, was essential. In the case of El Greco, who received his first artistic ...
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(Art Historical Work Group of South Africa, 2010)Whereas the merit of Le Corbusier’s Unites d’Habitation is still contentious, his contemporaneous unbuilt housing schemes on the French Coast are praised for their sensitivity towards history, climate and their sites, as ...
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(Art Historical Work Group of South Africa, 2010)Points of view are offered concerning the merit of the commonplace metaphorical reference to the “reading” of visual images or works of art as if they were, like language texts, composed of an underlying linguistic structure. ...
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(Art Historical Work Group of South Africa, 2010)This paper is a heuristic attempt to put art back into nature by trying to understand the biological basis of mind and its relation to the world. This relationship is negotiated at a physiological level by primary consciousness ...
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(Art Historical Work Group of South Africa, 2010)The Poetics of architecture addresses the “making of architecture” simultaneously as an act of physical construction and a mental act of construing. In the past it has been investigated as a scientific (rational) or artistic ...
Now showing items 1-20 of 35