dc.contributor.author |
Olivier, Bert
|
|
dc.date.accessioned |
2010-07-21T13:36:45Z |
|
dc.date.available |
2010-07-21T13:36:45Z |
|
dc.date.issued |
2000 |
|
dc.description |
Article digitised using: Suprascan 1000 RGB scanner, scanned at 400 dpi; 24-bit colour; 100% Image derivating - Software used: Adobe Photoshop CS3 - Image levels, crop, deskew Abbyy Fine Reader No.9 - Image manipulation + OCR Adobe Acrobat 9 (PDF) |
en_US |
dc.description.abstract |
The author uses several paintings to demonstrate his understanding of the experience of the sublime in art. |
en_US |
dc.description.uri |
http://explore.up.ac.za/record=b1719138 |
|
dc.format.extent |
Journal article |
en_US |
dc.format.medium |
Pdf |
en_US |
dc.identifier.citation |
Olivier, B 2000, 'Revisiting the sublime in painting.' South African Journal of Art History, vol. 15, pp. 96-101. |
en_US |
dc.identifier.issn |
0258-3542 |
|
dc.identifier.uri |
http://hdl.handle.net/2263/14520 |
|
dc.language.iso |
en |
en_US |
dc.publisher |
Art Historical Workgroup of South Africa |
en_US |
dc.rights |
Art Historical Workgroup of South Africa |
en_US |
dc.subject |
The sublime |
en_US |
dc.subject |
Painting |
en_US |
dc.subject |
Philosophy of art |
en_US |
dc.subject |
Kant, Immanuel, 1724-1804 |
en_US |
dc.subject |
Lyotard, Jean-Francois, 1924-1998 |
en_US |
dc.subject |
Aesthetics |
en_US |
dc.subject |
"Cultural knowledge" |
en_US |
dc.subject.lcsh |
Art -- History |
en |
dc.subject.lcsh |
Sublime, The, in art |
en |
dc.subject.lcsh |
Art -- Philosophy |
en |
dc.title |
Revisiting the sublime in painting |
en_US |
dc.type |
Article |
en_US |