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South African Journal of Art History Volume 24 (2009)
Letter of
Consent
South African Journal of Art History, Volume 24,
Issue 1 (2009)
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Content
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Mare,
E.A
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Editorial : Authors:
Published: 2009
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Coetzer,
N.
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Langa
Township in the 1920s - an (extra)ordinary Garden
Suburb
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Olivier,
B.
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Extra-ordinary
cinema
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Janse van
Rensburg, A.
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Comparing altars and
agendas - using architecture to unite?
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Noble,
J.A.
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Architecture and the
othe[r]eal
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Chapman,
M. & Ostwald, M.J.
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Disfigured ground :
architectural space and representation in the creative
practices of Dada and Surrealism
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Wolff,
I.
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Werdmuller Centre - an
artifact of an ephemeral context
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Breed,
I.
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Mindscape : exploring
living space in the urban environment by means of
photographic interviews
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Proimos,
C.V.
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Architecture : a self
referential sign or a way of thought? Peter Eisenman's
encounter with Jacques Derrida
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Mare,
E.A.
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The
influence of the dominance of cultures on artefacts : two
case studies - Córdoba, Spain, and Blood River, South
Africa
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Kruger,
R.
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The
(extra)ordinary (con)texts of beauty and be-ing
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Steenkamp,
A.
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A shared
spatial symbolism : the Voortrekker Monument, the
Völkerslachtdenkmal and Freemasonry
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Prinsloo,
J.N.
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I'm not
there : on the ex-situ experience of landscape architecture
in texts
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Wolff,
H.
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The
dialectic of representation : the tension between the new
and the familiar in post-liberation architecture
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Steele,
J.
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Tackling
art / craft nomenclature, again, with particular reference
to octogenarian potter Alice Qga Nongebeza, of Eastern
Cape, South Africa
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Gluskin,
Emanuel
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The
cemetery : essay
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South African Journal of Art History, Volume 24,
Issue 2 (2009)
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Content
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Janse van
Vuuren, Lukas M
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Play as a
creative factor in the visual arts : a hermeneutical
reflection
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Oppermann,
Johann
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William
Kentridge - creating animated images in space and time
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Van Graan,
Andre
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Contested
modernism : post Slums Act public housing in Cape Town
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Steyn,
Gerald
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Current
trends in South African architecture and the way to the
future
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Liebenberg-Barkhuizen,
Estelle
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Artists'
books : a postmodern perspective
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Naude,
Mauritz
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The
selective use of slate in vernacular farm buildings and
structures north of the Vaal River
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Mathlener,
Rinette
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Aspects of
perspective and ambiguous space in the work of M.C.
Escher
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Staden-Garbett,
Miranthe
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The
worldcentric art of Willem Boshoff : an analysis of artefact
and discipline in Children of the Stars
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Gaule,
Sally
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Johannesburg : a lens for
architecture and photography
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Schmidt,
Leoni
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Teaching
Art History through archaeologies of the contemporary
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Mare,
E.A
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Philosophy
and the Arts: Collected Essays
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Mare,
E.A
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Philosophy
and Communication: Collected Essays
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Mare,
E.A
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Philosophy
and Psychoanalytic Theory: Collected Essays, Bert Olivier :
book review
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South African Journal of Art History, Volume 24,
Issue 3 (2009)
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Content
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Mare,
E.A.
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Editorial
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Tomassoni,
Rosella & Fusco, Antonio
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Dance as
art and as expression of harmony and psychosomatic totality :
some psychological considerations
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Steyn,
Carol
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Khachaturyan in Armenia
today : his presence in Armenian music, art and architecture,
rooted in Socialist Realism
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Geldenhuys, Daniel
G
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Romanesque
churches in the south west of France and their relation to
architecture, art and music
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McEwen,
Hugh
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A
discussion of Xenakis and Varese, metaphor and simile, music
and architecture
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Mugovhani,
Ndwamato George
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Mbilamutondo music and
instruments in Venda culture
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Olivier,
Bert
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Music and
architecture : time and / or space?
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Mare,
Estelle Alma
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Music as
an angelic message in El Greco's oeuvre
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Steyn,
Carol & Mare, Estelle Alma
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A survey
of George Frideric Handel's life, music and selected
portraits with and without his wig : a contribution to the
celebration of the Handel year
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Janse van
Rensburg, Ariane
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Stained
glass as an interface between art and architecture
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Mendoza,
Marisela, Halion, Simon
& Quek, Raymond
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Out of the
musical box
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Stupples,
Peter
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Art and
sacral space
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Recent Submissions
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Oppermann, Johann
(Art Historical Work Group of South Africa, 2009)
At issue in this article is "History of the Main Complaint" (1996), which is the sixth film in Kentridge’s "Drawings for Projection" series (1989-1999). The discussion is centred on spatiotemporal manipulations employed ...
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Gaule, Sally
(Art Historical Work Group of South Africa, 2009)
Johannesburg’s built environment was shaped initially by the gold mining industry whose influence was indelibly writ upon its architectural symbolism. This has however, been intermingled and covered over by the residue of ...
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Schmidt, Leoni
(Art Historical Work Group of South Africa, 2009)
This article argues that Art History as a discipline has been critiqued on a number of levels in recent decades. However, the knowledge which the discipline can provide for students in tertiary art schools remains invaluable. ...
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Janse van Vuuren, Lukas M.
(Art Historical Work Group of South Africa, 2009)
This article demonstrates in a hermeneutical context how the interrelation between play, "mimesis" and fiction contribute to the interactive making and interpretation of visual art works. A theoretical model is employed ...
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Staden-Garbett, Miranthe
(Art Historical Work Group of South Africa, 2009)
Willem Boshoff is a practicing conceptual artist. Readings typically emphasise his use of language, socio-political consciousness and critique of authority within the South African context of colonialism and apartheid. In ...
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Stupples, Peter
(Art Historical Work Group of South Africa, 2009)
‘Art’ was originally associated with sacral spaces for the enactment of rites that bound a community into a culture. The objects created as ‘art’ were also imitated by secular authorities, enacting their ceremonial rituals ...
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Mendoza, Marisela; Halion, Simon; Quek, Raymond
(Art Historical Work Group of South Africa, 2009)
The present paper explores the correlations of music and architecture through a design studio project
carried out by second year students of the Architecture programme at Nottingham Trent University
in the United Kingdom. ...
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Steyn, Carol; Mare, Estelle Alma
(Art Historical Work Group of South Africa, 2009)
This year marks the 250th anniversary of the death of George Frideric Handel, one of the greatest
composers of the Baroque period. There are and have been celebrations of his life and works world
wide. Although he composed ...
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Janse van Rensburg, Ariane
(Art Historical Work Group of South Africa, 2009)
Stained glass occupies a conjunction between glass painting as art and windows as architectural components. Originating as a form of painting, it was an integrated element in the architectural design of gothic cathedrals. ...
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Mare, Estelle Alma
(Art Historical Work Group of South Africa, 2009)
Angels are assumed to represent messengers from God and in Christian art they are traditionally depicted as winged human beings. In the visual arts all figures are mute; therefore angel music as the divine message relayed ...
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Olivier, Bert
(Art Historical Work Group of South Africa, 2009)
It is a challenging task to think architecture and music together, given that they seem to be at opposite ends of the spectrum of arts. An attempt is nevertheless made to uncover what they have in common as arts, and ...
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Mugovhani, Ndwamato George
(Art Historical Work Group of South Africa, 2009)
There is a decline in the performance and promotion of one of the significant African cultural heritage components, "Mbilamutondo" music. This heritage is facing possible extinction, and its disappearance may spell the ...
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McEwen, Hugh
(Art Historical Work Group of South Africa, 2009)
This paper aims to examine the possible cross pollination between music and architecture through two of the most successful proponents of this translation. Since by its very nature translation involves an interpretation ...
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Geldenhuys, Daniel G.
(Art Historical Work Group of South Africa, 2009)
This article deals with the three disciplines of architecture, sculptural art and music in relation to the cultural-historical presence of the medieval Romanesque churches in the Dordogne region in the south
west of France. ...
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Steyn, Carol
(Art Historical Work Group of South Africa, 2009)
Aram Il’ich Khachaturyan was born in Tblisi, Georgia, and spent most of his life in Moscow, but when one visits Yerevan, the capital of Armenia, today, Khachaturyan is all around you. His music, itself steeped in Armenian ...
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Tomassoni, Rosella; Fusco, Antonio
(Art Historical Work Group of South Africa, 2009)
The dance acquires such different and various meanings so that it can be considered as a complex polysemic form of non-verbal message [of which the] effectiveness can be compared with that of music and figurative arts ...
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Mare, Estelle Alma
(Art Historical Work Group of South Africa, 2009)
The following Collected Essays by Bert Olivier is reviewed: "Philosophy and the Arts", "Philosophy and Communication" and "Philosophy and Psychoanalytic Theory".
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Mathlener, Rinette
(Art Historical Work Group of South Africa, 2009)
Cartographers, mathematicians and artists discovered many of the rules for linear perspective before the Renaissance, but the mathematical basis to represent objects three-dimensionally was developed only in the 15th ...
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Naude, Mauritz
(Art Historical Work Group of South Africa, 2009)
Slate and shale are not usually considered as building stone for the construction of entire buildings in the vernacular farm architecture of the area north of the Vaal River (historically known as the Transvaal). Sandstone ...
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Liebenberg-Barkhuizen, Estelle
(Art Historical Work Group of South Africa, 2009)
This article wishes to examine the phenomenon of artists’ books from a postmodern perspective. As artists’ books appear to be a specifically twentieth century art form which intersects a variety of creative fields, such ...
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